Autumnal leaves: tales and sketches in prose and rhymeChild, Lydia Maria
General
Autumnal leaves: tales and sketches in prose and rhyme
Child, Lydia Maria
American essays -- 19th century; American fiction -- 19th century; Short stories, American
The one who blushed was Florien Arnaud, a youth from the French
Cantons. He was slender and graceful in figure, with beautiful features,
clear blue eyes, and a complexion fresh as Hylas, when the enamored
water-nymphs carried him away in their arms. He danced like a zephyr,
and sang little airy French romanzas in the sweetest of tenor voices.
The one who turned pale was Pierre Berthoud, of Geneva. He had massy
features, a bulky frame, and clumsy motions. But the shape of his head
indicated powerful intellect, and his great dark eyes glowed from under
the pent-house of his brows, like a forge at midnight. He played on the
bass-viol and the trombone, and when he sang, the tones sounded as if
they came up from deep iron mines.
Rosabella turned quickly away from their expressive glances, and
blushing deeply resumed her spinning. The Frenchman felt certain the
blush was for him; the Genevan thought he would willingly give his life
to be sure it was for _him_. But unlike as the young men were in person
and character, and both attracted toward the same lovely maiden, they
were yet extremely friendly to each other, and usually found enjoyment
in the harmonious contrast of their different gifts. The first feeling
of estrangement that came between them was one evening, when Florien
sang remarkably well, and Rosabella accompanied him on her guitar. She
evidently enjoyed the graceful music with all her soul. Her countenance
was more radiantly beautiful than usual, and when the fascinating
singer rose to go, she begged him to sing another favorite song, and
then another and another. “She never urges _me_ to sing with her,” said
Pierre, as he and Florien retired for the night. “And with very good
reason,” replied his friend, laughing. “Your stentorian tones would
quite drown her weak sweet voice, and her light touch on the guitar. You
might as well have a hammer-and-anvil accompaniment to a Canary bird.”
Seeing discontent in the countenance of his companion, he added
soothingly, “Nay, my good friend, don’t be offended by this playful
comparison. Your voice is magnificently strong and beautifully correct,
but it is made for grander things than those graceful little garlands of
sound, which Rosabella and I weave so easily.”
Pierre sprang up quickly, and went to the other side of the room.
“Rosabella and I,” were sounds that went hissing through his heart, like
a red-hot arrow. But his manly efforts soon conquered the jealous
feeling, and he said cheerfully, “Well, Florien, let us accept the offer
of good Father Breguet. We will try our skill fairly and honorably, and
leave him and Rosabella to decide, without knowing which is your work
and which is mine.”
Public-domain text, read in full here on John Shaqi.
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