Autumnal leaves: tales and sketches in prose and rhymeChild, Lydia Maria
General
Autumnal leaves: tales and sketches in prose and rhyme
Child, Lydia Maria
American essays -- 19th century; American fiction -- 19th century; Short stories, American
Florien suppressed a rising smile; for he thought to himself, “_She_
will know _my_ workmanship, as easily as she could distinguish my fairy
romanzas from your Samson solos.” But he replied, right cordially,
“Honestly and truly, Pierre, I think we are as mechanicians very nearly
equal in skill. But let us both tax our ingenuity to invent something
which will best please Rosabella, Her birth-day comes in about six
months. In honor of the occasion, I will make some ornaments for the
little arbor facing the brook, where she loves to sit, in pleasant
weather, and read to the good old grandfather.”
“I will do the same,” answered Pierre; “only let both our ornaments be
machines.” They clasped hands, and looking frankly into each other’s
eyes, ratified the agreement. From that hour, they spoke no more to each
other on the subject till the long-anticipated day arrived. The old
watch-maker and his grandchild were invited to the arbor, to pass
judgment on the productions of his pupils. A screen was placed before a
portion of the brook, and they sat quietly waiting for it to be removed.
“That duck is of a singular color,” exclaimed the young girl. “What a
solemn looking fellow he is!” The bird, without paying any attention to
her remarks, waddled into the water, drank, lifted up his bill to the
sky, as if giving thanks for his refreshment, flapped his wings, floated
to the edge of the brook, and waddled on the grass again. When Father
Breguet threw some crumbs of cake on the ground, the duck picked them up
with apparent satisfaction. He was about to scatter more crumbs, when
Rosabella exclaimed, “Why, grandfather, this is not a duck! It is made
of bronze. See how well it is done.”
The old man took it up and examined it. “Really, I do not think any
thing could be more perfect than this,” he said. “How exquisitely the
feathers are carved! and truly the creature seems alive. He who beats
this must be a skilful mechanician.”
At these words, Pierre and Florien stepped forward, hand in hand, and
bowing to their master, removed the temporary screen. On a black marble
pedestal in the brook was seated a bronze Naiad, leaning on an
overflowing vase. The figure was inexpressibly graceful; a silver star
with brilliant points gleamed on her forehead, and in her hand she held
a silver bell, beautifully inlaid with gold and steel. There was a smile
about her mouth, and she leaned over, as if watching for something in a
little cascade which flowed down a channel in the pedestal. Presently,
she raised her hand and sounded the bell. A beautiful little gold fish
obeyed the summons, and glided down the channel, his burnished sides
glittering in the sun. Eleven times more she rang the bell, and each
time the gold fish darted forth. It was exactly noon, and the
water-nymph was a clock.
Public-domain text, read in full here on John Shaqi.
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