Autumnal leaves: tales and sketches in prose and rhymeChild, Lydia Maria
General
Autumnal leaves: tales and sketches in prose and rhyme
Child, Lydia Maria
American essays -- 19th century; American fiction -- 19th century; Short stories, American
With a passionate outburst of grief, the young man replied, “And it was
I, my benefactor, who made you so. Wretch that I am!”
From that time the work went on with greater zeal than ever. Pierre
often forgot to taste of food, so absorbed was he in the perfection of
his machine. First, the arms moved obedient to his wishes, then the eyes
turned, and the lips parted. Meanwhile, his own face grew thinner and
paler, and his eyes glowed with a wilder fire.
Finally, it was whispered in the village that Pierre Berthoud was
concealed in Antoine Breguet’s cottage: and officers came to arrest him.
But the venerable old watch-maker told the story so touchingly, and
painted so strongly the young man’s consuming agony of grief and
remorse, and pleaded so earnestly that he might be allowed to finish a
wonderful image of his beautiful grandchild, that they promised not to
disturb him till the work was accomplished.
Two years from the day of Pierre’s return, on the anniversary of the
memorable birth-day, he said. “Now, my father, I have done all that art
_can_ do. Come and see the beautiful one.” He led him into the little
room where Rosabella used to work. There she sat, spinning diligently.
The beautifully formed bust rose and fell under her neat boddice. Her
lips were parted, and her eyes followed the direction of the thread. But
what made it seem more fearfully like life, was the fact that ever and
anon the wheel rested, and the maiden held the suspended thread, with
her eye-lids lowered, as if she were lost in thought. Above, the
flower-stand, near by, hung the bird-cage, with Florien’s artificial
canary. The pretty little automaton had been silent long; but now its
springs were set in motion, and it poured forth all its melodies.
The bereaved old man pressed Pierre’s hand, and gazed upon his darling
grand-child silently. He caused his arm-chair to be brought into the
room, and ever after, while he retained his faculties, he refused to sit
elsewhere.
The fame of this remarkable android soon spread through all the region
round about. The citizens of Geneva united in an earnest petition that
the artist might be excused from any penalty for the accidental murder
he had committed. Members of the State Council came and looked at the
breathing maiden, and touched the beautiful flesh, which seemed as if it
would yield to their pressure. They saw the wild haggard artist, with
lines of suffering cut so deeply in his youthful brow, and they at once
granted the prayer of the citizens.
Public-domain text, read in full here on John Shaqi.
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