Autumnal leaves: tales and sketches in prose and rhymeChild, Lydia Maria
General
Autumnal leaves: tales and sketches in prose and rhyme
Child, Lydia Maria
American essays -- 19th century; American fiction -- 19th century; Short stories, American
But Pierre had nothing more to live for. His work in the world was done.
The artificial energy, supplied by one absorbing idea was gone; and the
contemplation of his own work was driving him to madness. It so closely
resembled life that he longed more and more to have it live. The
lustrous eyes moved, but they had no light from the soul, and they would
not answer to his earnest gaze. The beautiful lips parted, but they
never spoke kind words, as in days of yore. The image began to fill him
with supernatural awe, yet he was continually drawn toward it by a magic
influence. Three months after its completion, he was found at daylight,
lying at its feet, stone dead.
Antoine Breguet survived him two years. During the first eighteen
months, he was never willing to have the image of his lost darling out
of sight. The latter part of the time, he often whistled to the bird,
and talked to her, and seemed to imagine that she answered him. But with
increasing imbecility, Rosabella was forgotten. He sometimes asked, “Who
_is_ that young woman?” At last he said, “Send her away. She looks at
me.”
The magic-lantern of departing memory then presented a phantom of his
wife, dead long ago. He busied himself with making imaginary watches and
rings for her, and held long conversations, as if she were present.
Afterward, the wife was likewise forgotten, and he was occupied
entirely with his mother, and the scenes of early childhood. Finally he
wept often, and repeated continually, “They are all waiting for me; and
I want to go home.” When he was little more than eighty years old,
compassionate angels took the weary pilgrim in their arms, and carried
him home.
A SONG.
Hush! hush! Love lies at rest,
Like a bird in her nest,
Like dew in a lily’s breast,
Love is sleeping.
Roses breathe fragrant sighs
Over his drowsy eyes,
But, ah, how still he lies!
Love is sleeping.
Drive the honey-bees away!
Let not the sun’s bright ray
Over his features play!
Love is sleeping.
Lest his slumbers should fly,
Gentle Music draw nigh,
With your sweet lullaby!
_Keep_ him sleeping!
Ha! his cheek grows warm
Under the magic charm,
And he moves his white arm!
Love is dreaming,
His little limbs shiver,
His soft eye-lids quiver,
Like rays on a river:
Love is waking.
UTOUCH AND TOUCHU.
“Nothing left
But what _you_ touch, and not what _touches you_.”
LEIGH HUNT.
“Thou hast the fairy coin, which, in wrong hands
Is merely stones and leaves;--in thine, true gold.”
J. R. LOWELL.
Public-domain text, read in full here on John Shaqi.
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