Autumnal leaves: tales and sketches in prose and rhymeChild, Lydia Maria
General
Autumnal leaves: tales and sketches in prose and rhyme
Child, Lydia Maria
American essays -- 19th century; American fiction -- 19th century; Short stories, American
Years passed, and the boys were men. Ernest sat writing in a small
chamber, that looked toward the setting sun. His little child had hung a
prismatic chandelier-drop on the window, and he wrote amid the rainbows
that it cast over his paper. In a simple vase on his desk stood a stalk
of blossoms from the brilliant wild flower, called the Cardinal. Unseen
by him, the fairy Touchu circled round his head and waved her
Lily-stamen, from which the fine gold-coloured dust fell on his hair in
a fragrant shower. In the greensward below, two beautiful yellow birds
sat among the catnip-blossoms, picking the seed, while they rocked
gracefully on the wind-stirred plant. Ernest smiled as he said to
himself, “Gone are the dandelion blossoms, which strewed my grass-carpet
with golden stars; and now come these winged flowers to refresh the eye.
When _they_ are gone to warmer climes, then will the yellow butterflies
come in pairs; and when even they are gone, here in my oboë sleep the
soft yellow tones, ever ready to wake and cheer me with their child-like
gladness.”
He took up the instrument as he spoke, and played a slight flourish. A
little bird that nestled among the leaves of a cherry tree near by,
caught the tones of the oboë and mocked it with a joyous trill, a little
sunny shower of sound. Then sprang the poet to his feet, and his
countenance lighted up like a transfigured one. But a slight cloud soon
floated over that radiant expression. “Ah, if thou only wert not afraid
of me!” he said. “If thou wouldst come, dear little warbler, and perch
on my oboë, and sing a duet with me, how happy I should be! Why are man
and nature thus sundered?”
Another little bird in the Althea bush, answered him in low sweet notes,
ending ever with the plaintive cadence of the minor-third. The deep,
tender eyes of the child-man filled with tears. “We are _not_ sundered,”
thought he. “Surely my heart is in harmony with Nature; for she responds
to my inmost thought, as one instrument vibrates the tones of another to
which it is perfectly attuned. Blessed, blessed is nature in her
soothing power.” As he spoke, Touchu came floating on a zephyr, and
poured over him the fragrance of mignonette she had gathered from the
garden below.
* * * * *
Public-domain text, read in full here on John Shaqi.
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