Autumnal leaves: tales and sketches in prose and rhymeChild, Lydia Maria
General
Autumnal leaves: tales and sketches in prose and rhyme
Child, Lydia Maria
American essays -- 19th century; American fiction -- 19th century; Short stories, American
At the same hour, Alfred walked in his conservatory among groves of
fragrant Geraniums and richly-flowering Cactuses. He smoked a cigar, and
glanced listlessly from his embroidered slippers to the marble pavement
without taking notice of the costly flowers. The gardener, who was
watering a group of Japonicas, remarked, “This is a fine specimen that
has opened to-day. Will you have the goodness to look at it, sir?” He
paused in his walk a moment, and looked at a pure white blossom, with
the faintest roseate blush in the centre. “It _ought_ to be handsome,”
said he. “The _price_ was high enough. But after all the money I have
expended, horticulturists declare that Mr. Duncan’s Japonicas excel
mine. It’s provoking to be outdone.” The old gnome stood behind one of
the plants, and shrugged his shoulders and grinned. Without perceiving
his presence, Alfred muttered to himself, “Utouch promised my flowers
should be unequalled in rarity and beauty.”
“That was last year,” croaked a small voice, which he at once
recognized.
“Last year!” retorted Alfred, mocking his tone. “Am I then to be always
_toiling_ after what I never _keep_? That’s precious comfort, you
provoking imp!”
A retreating laugh was heard under the pavement, as the rich man threw
his cigar away, exclaiming impatiently, “The devil take the Japonicas!
what do I care? they’re not worth fretting about.”
* * * * *
Weeks passed and brought the returning seventh day of rest. The little
child, who caused homemade rainbows to flicker over the father’s poem,
lay very ill, and the anxious parents feared that this beautiful vision
of innocence might soon pass away from the earth. The shadows of a
Madeira-vine now and then waved across the window, and the chamber was
filled with the delicate perfume of its blossoms. No sound broke the
Sabbath stillness, except the little bird in the Althea bush, whose
tones were sad as the voice of memory. The child heard it, and sighed
unconsciously, as he put his little feverish hand within his mother’s,
and said, “Please sing me a hymn, dear mother.” With a soft, clear
voice, subdued by her depth of feeling, she sang Schubert’s Ave Maria.
Manifold and wonderful are the intertwining influences in the world of
spirits! What was it that touched the little bird’s heart, and uttered
itself in such plaintive cadences? They made the child sigh for a hymn;
and bird and child together woke Schubert’s prayerful echoes in the
mother’s bosom. And now from the soul of the composer in that far-off
German land, the spirit of devotion comes to the father, wafted on the
wings of that beautiful music. Ernest bowed his head reverently, and
sank kneeling by the bed-side. While he listened thus, Touchu glided
softly into his bosom and laid her wand upon his heart. When the sweet
beseeching melody had ceased, Ernest pressed the hand of the singer to
his lip, and remained awhile in silence. Then the strong necessity of
Public-domain text, read in full here on John Shaqi.
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