Avarice--Anger: Two of the Seven Cardinal SinsSue, Eugène
General
Avarice--Anger: Two of the Seven Cardinal Sins
Sue, Eugène
French fiction -- Translations into English
M. de Riancourt's clumsy equipage moved so slowly that when it reached
the entrance to the Cours la Reine a pedestrian, who was proceeding in
the same direction, kept pace with it without the slightest difficulty.
This pedestrian, who was very poorly dressed, did not seem to be very
active, for he leaned heavily on his cane. His long beard, his hair, and
his bushy eyebrows were as white as snow, while the swarthy hue of his
wrinkled face gave him the appearance of an aged mulatto. When M. de
Riancourt's carriage had advanced about half way up the Cours la Reine,
its progress was still further impeded by a long line of vehicles, which
were evidently also on the way to the Hôtel Saint-Ramon; so the old man
passed the landau, and walked on until he came to an avenue glittering
with gaily coloured lamps, and filled from end to end with a long
procession of carriages.
Though the old man seemed deeply absorbed in thought, his attention was
naturally attracted to the large crowd that had assembled near the
handsome gateway that served as an entrance to this brilliantly lighted
avenue, so he paused, and, addressing one of the bystanders, inquired:
"Can you tell me what all these people are looking at?"
"They are looking at the guests who are going to the opening of the
famous Saint-Ramon mansion."
"Saint-Ramon?" murmured the old man, with evident surprise. "How
strange!"
Then he added aloud:
"What is this Hôtel Saint-Ramon, monsieur?"
"The eighth wonder of the world, people say. It has taken five years to
build it, and the owner gives a house-warming to-night."
"To whom does this house belong, monsieur?"
"To a young man worth several millions."
"And what is his name?"
"Saint-Harem, or Saint-Herem, I believe."
"I thought as much," the old man said to himself. "But, in that case,
why do they call it the Saint-Ramon mansion?" Then, turning to the same
bystander again, he asked aloud: "Will you be kind enough to tell me
what time it is?"
"Half-past ten, exactly."
"Thank you, monsieur," responded the old man, getting a little nearer to
the gate. "Half-past ten," he said to himself. "I need not be at
Chaillot until midnight, so I have plenty of time to solve this
mystery."
After a moment's hesitation, the old man passed through the gateway, and
proceeded up a walk shaded with magnificent elms, to a brilliantly
lighted half-circle in front of the house itself, which was a veritable
palace,--a superb example of the palmiest days of Renaissance
architecture.
Crossing the half-circle, the old man found himself at the foot of the
imposing perron leading to the peristyle. Through the glass doors that
enclosed the entire front of this peristyle, he saw a long row of tall,
powdered footmen clad in gorgeous liveries, but all the while the
carriages that drew up at the foot of the perron were depositing men,
women, and young girls, whose plain attire contrasted strangely with the
splendour of this fairy palace.
Public-domain text, read in full here on John Shaqi.
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