The old man, to whom allusion has already been made, urged on, apparently, by an almost irresistible curiosity, followed several of these newcomers up under the peristyle, where two tall Swiss, halberds in hand, opened the broad portals of the large glass double door to all, making their halberds ring noisily on the marble floor as each guest entered. Still mingling with a party of invited guests, the old man passed through a double row of footmen in bright blue livery, profusely trimmed with silver, into a large reception-room, where numerous valets, clad in bright blue jackets, black satin knee breeches, and white silk stockings, were in attendance, all manifesting the utmost deference to these guests whose unpretending appearance seemed so out of harmony with the princely luxury of the abode. The guests passed from this room into a large music-room, fitted up for concerts, and from that into an immense circular hall surmounted by a dome. This hall served as a nucleus for three other large apartments,--or rather four in all, including the music-room,--one intended for a ballroom, another for a banquet-hall and the other for a cardroom. It is impossible to describe the splendour, elegance, and sumptuous furnishings of these large, brilliantly lighted apartments, whose lavish adornments in the shape of paintings, statuary, and flowers were multiplied again and again in the enormous mirrors that lined the walls. The most illustrious artists of the time had assisted in this work of ornamentation. Masterpieces by Ingres and Delacroix hung side by side with those of Scheffer and Paul Delaroche; while the future fame of Couture and Gérôme had evidently been divined by the wealthy and discerning builder of this palace. Among the most magnificent works of art, we must not forget to mention an immense sideboard in the banquet-hall, loaded with superb silver, worthy of the master hand of Benvenuto Cellini, and consisting of candelabra, pitchers, epergnes, and fruit-dishes, each and every one entitled to an honoured place in a museum, by reason of its rare beauty of form and exquisite ornamentation.