In the great human hunt which ever has been and ever shall be till “the
last bird flies into the last light”—some call it business, some call
it art, some call it love, and a very few know it for what it is, the
very mainspring of existence—the path of the pursuer and the prey often
run obscurely parallel. What time the Honorable William Linder matured
his designs on the mayoralty, Average Jones sat in a suite of offices
in Astor Court, a location which Waldemar had advised as being central,
expensive, and inspirational of confidence, and considered, with a
whirling brain, the minor woes of humanity. Other people’s troubles had
swarmed down upon him in answer to his advertised offer of help, as
sparrows flock to scattered bread crumbs. Mostly these were of the
lesser order of difficulties; but for what he gave in advice and help
the Ad-Visor took payment in experience and knowledge of human nature.
Still it was the hard, honest study, and the helpful toil which held
him to his task, rather than the romance and adventure which he had
hoped for and Waldemar had foretold—until, in a quiet, street in
Brooklyn, of which he had never so much as heard, there befell that
which, first of many events, justified the prophetic Waldemar and gave
Average Jones a part in the greater drama of the metropolis. The party
of the second part was the Honorable William Linder.
Mr., Linder sat at five P. M., of an early summer day, behind lock and
bolt. The third floor front room of his ornate mansion on Brooklyn’s
Park Slope was dedicated to peaceful thought. Sprawled in a huge and
softly upholstered chair at the window, he took his ease in his house.
The chair had been a recent gift from an anonymous admirer whose
political necessities, the Honorable Mr. Linder idly surmised, had not
yet driven him to reveal his identity. Its occupant stretched his
shoeless feet, as was his custom, upon the broad window-sill, flooded
by the seasonable warmth of sunshine, the while he considered the
ripening mayoralty situation. He found it highly satisfactory. In the
language of his inner man, it was a cinch.
Below, in Kennard Street, a solitary musician plodded. His
pretzel-shaped brass rested against his shoulder. He appeared to be the
“scout” of one of those prevalent and melancholious German bands,
which, under Brooklyn’s easy ordinances, are privileged to draw echoes
of the past writhing from their forgotten recesses. The man looked
slowly about him as if apprising potential returns. His gravid glance
encountered the prominent feet in the third story window of the Linder
mansion, and rested. He moved forward. Opposite the window he paused.
He raised the mouthpiece to his lips and embarked on a perilous sea of
notes from which the tutored ear might have inferred that once popular
ditty, _Egypt_.
Public-domain text, read in full here on John Shaqi.
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