Avril: Being Essays on the Poetry of the French RenaissanceBelloc, Hilaire
History
Avril: Being Essays on the Poetry of the French Renaissance
Belloc, Hilaire
French poetry -- 16th century -- History and criticism; Renaissance -- France
His laughter also was theirs: the kind of laughter that saluted the
first Dance of Death which as a boy he had seen in new frescoes round
the waste graveyard of the Innocents. His friends and enemies and heroes
and buffoons were the youth of the narrow tortuous streets, his visions
of height were the turrets of the palaces and the precipitate roofs of
the town. Distance had never inspired him, for in that age its effect
was forgotten. No one straight street displayed the greatness of the
city, no wide and ordered spaces enhanced it. He crossed his native
river upon bridges all shut in with houses, and houses hid the banks
also. The sweep of the Seine no longer existed for his generation, and
largeness of all kinds was hidden under the dust and rubble of decay.
The majestic, which in sharp separate lines of his verse he certainly
possessed, he discovered within his own mind, for no great arch or
cornice, nor no colonnade had lifted him with its splendour.
That he could so discover it, that a solemnity and order should be
apparent in the midst of his raillery whenever he desires to produce an
effect of the grand, leads me to speak of that major quality of his by
which he stands up out of his own time, and is clearly an originator of
the great renewal. I mean his vigour.
It is all round about him, and through him, like a storm in a wood. It
creates, it perceives. It possesses the man himself, and us also as we
read him. By it he launches his influence forward and outward rather
than receives it from the past. To it his successors turn, as to an
ancestry, when they had long despised and thrown aside everything else
that savoured of the Gothic dead. By it he increased in reputation and
meaning from his boyhood on for four hundred years, till now he is
secure among the first lyric poets of Christendom. It led to no excess
of matter, but to an exuberance of attitude and manner, to an
inexhaustibility of special words, to a brilliancy of impression unique
even among his own people.
He was poor; he was amative; he was unsatisfied. This vigour, therefore,
led in his actions to a mere wildness; clothed in this wildness the rare
fragments of his life have descended to us. He professed to teach, but
he haunted taverns, and loved the roaring of songs. He lived at random
from his twentieth year in one den or another along the waterside.
Affection brought him now to his mother, now to his old guardian priest,
but not for long; he returned to adventure--such as it was. He killed a
man, was arrested, condemned, pardoned, exiled; he wandered and again
found Paris, and again--it seems--stumbled down his old lane of violence
and dishonour.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account