Courtship -- England -- Fiction; England -- Social life and customs -- 19th century -- Fiction
I have not hitherto been to see either you or your brother
or Mrs. Docimer because I have been altogether unaware
whether you or your brother or Mrs. Docimer would be glad
to see me. As you say yourself, there was a storm on the
Tyrolese hill-side,--in which there was more than one
wind blowing at the same time. I do not find fault with
anybody,--perhaps a storm was needed to clear the air. But
I hate storms. I do not pretend to be a very grand fellow,
but I do endeavour not to be disagreeable. Your brother,
if you remember, was a little hard. But, in truth, I say
this only to account for my apparent incivility.
And, perhaps, with another object;--to gain a little time
before I plunge into the stern necessity of answering all
that you say in your very comprehensive letter of five
lines. The first four lines I have answered. There will be
no such Mrs. Frank Houston as that suggested. And then, as
to the last line. Of course, you will see me again, and
that very speedily. So it would seem that the whole letter
is answered.
But yet it is not answered. There is so much in it that
whole sheets would not answer it. A quire of note-paper
stuffed full would hardly contain all that I might find
to say in answer to it,--on one side and the other. Nay,
I might fill as many reams of folio as are required for a
three-volume novel. And then I might call it by one of two
names, "The Doubts of Frank Houston," or "The Constancy of
Imogene Docimer,"--as I should at last bring my story to
one ending or the other. But the novel would contain that
fault which is so prevalent in the novels of the present
day. The hero would be a very namby-mamby sort of a
fellow, whereas the heroine would be too perfect for human
nature.
The hero would be always repeating to himself a certain
line out of a Latin poet, which, of all lines, is the most
heart-breaking;--
The better course I see and know;--
The worser one is where I go.
But then in novels the most indifferent hero comes out
right at last. Some god comes out of a theatrical cloud
and leaves the poor devil ten thousand a-year and a title.
He isn't much of a hero when he does go right under such
inducements, but he suffices for the plot, and everything
is rose-coloured. I would be virtuous at a much cheaper
rate;--if only a young man with his family might have
enough to eat and drink. What is your idea of the lowest
income at which a prudent,--say not idiotically-quixotic
hero,--might safely venture to be heroic?
Public-domain text, read in full here on John Shaqi.
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