Blue Ridge Mountains -- Juvenile fiction; North Carolina -- Juvenile fiction; Young women -- Juvenile fiction
But I was secretly very tired when at last the week of festivities was
over. There had been a great company of us at Thanksgiving dinner, and
we had seen and tasted all that was most splendid in the way of
Mallowbanks ham and Mallowbanks turkey, and Mallowbanks artichokes and
mince meat, and we had talked and laughed and sung and danced, and bowed
and scraped, and shaken hands and kissed, and at last it was all over.
Even my darling Annie Laurie and my little Barbara were gone. And then I
went up to my own room and closed and bolted the door.
Carin, I wept and wept. I was happy, but I wept. For, someway, after
all, this was not my life. It was not the silver web I meant to weave.
It was something that was being woven for me, and I was only a quite nice
little yellow spider sitting in the midst of it and being admired without
doing a single bit of spinning.
It was not at all what I had planned for myself. I am doing a great deal
of receiving and little or no giving, and it makes me dissatisfied.
Of course I give some happiness to grandmother, and a new responsibility
to Uncle David and Aunt Lorena. But what of my vocation? What of all
the things I learned to do with these two hands of mine? What of the
friendships I made with humble people and needy ones? What of all the
good I was going to do in the world?
Carin, I am very happy. You mustn’t think anything else. But I have
cried a tremendous lot, and I’m going to cry when I feel like it. And by
and by I shall do something. It will not be liked very well at
Mallowbanks—at least, not at first. But we have to be our true selves,
don’t we? Don’t we owe that to—well I don’t know just Whom or What we
owe it to. But we are made so much ourselves that to be anything other
than ourselves is to offend what Kipling calls the God of Things as They
Are.
Dear me, am I too serious? I, who have been making an art of gayety? I
can talk nonsense endlessly, and I rather like to do it. It excites me.
I feel like a young colt when it gets the bit in its teeth and whips off
down the road. Then, if the person I am talking with, feels the same
way, and the two of us dare the other to see who can run away the
hardest—as Mr. Vance Grévy does, for example—then I enjoy myself very
much indeed. Running away is, I can see, very pleasant for a time.
But after all, I am not of a nature to run very far. I can always be
trusted to come home and stand beside the hitching post. It’s my way.
I’m dependable old Azalea after all, and however rattle-brained I may
sound, you can count on me to sober down at the critical moment. I’m
still, Carin, right beside the hitching post.
The only thing I insist on is being hitched up to my own post. And I
don’t believe Mallowbanks is it. It’s a carved, historic, marvelous
post. But is it mine? Well, I’ll not think any more just now.
Public-domain text, read in full here on John Shaqi.
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