Azalea: The Story of a Little Girl in the Blue Ridge Mountains — John Shaqi
Azalea: The Story of a Little Girl in the Blue Ridge MountainsPeattie, Elia Wilkinson
General
Azalea: The Story of a Little Girl in the Blue Ridge Mountains
Peattie, Elia Wilkinson
Blue Ridge Mountains -- Juvenile fiction; Girls -- Juvenile fiction; North Carolina -- Juvenile fiction
So they slid down the sheer drop of the rocks till they came to a place
where the mountain stream widened out into a tiny pool, and then, forced
once more into a trough-like gorge, poured on over the face of the rocks.
Here Jim had made a mill wheel on which he had worked many a day. The
show boy looked at it admiringly.
“It’s a right smart wheel,” he admitted. He stopped it with one of his
dark, slender fingers, and then started it again, and Jim’s tongue
loosened, and he told him about all the other wheels he had made, and why
this was better than any of the others.
After a time they stuck their hot, dusty toes in the pool and sat there
watching the world. The sun and shadow raced over the valley below; a
hawk wheeled above their heads; little creatures danced over the face of
the pool.
“What’s your name, please?” asked Jim.
“Hi Kitchell.”
“Mine’s Jim McBirney.”
“I know that already.”
“Are your folks with the show.”
“Sisson, he’s my uncle. He runs the show.”
“Do you do tricks.”
“Yes, lots of ’em. And I do chores—do more chores than tricks.”
“Do you get paid?”
“Not regular. I get my board and keep. I wish I could stay home with
ma, and get some work to do in town. There’s four of us, and pa’s dead,
so my uncle, he said he’d take me off ma’s hands.”
“I’d like to go with a show.”
“Would you?” cried the other. His nutlike face seemed to grow old, and
he looked at Jim from under his long lashes. “Would you like sleeping
out in the rain, picking up meals here and there, and going on day after
day, no matter how you feel? If the old folks take the notion, that’s
what happens to a fella. And then the being funny, that’s the worst. I
hate to be funny just because folks have paid to see me that a-way.”
“That girl, is she funny?”
“Funny?” The dark boy puzzled over this quite a while. “I don’t know
about funny. She’s queer! Her ma was queer too. Not a bit like the
other women. She was good to me, and taught me out of books and talked
to me about my manners. And she could make the people listen when she
sang or danced, you bet!”
“Does that girl like the show?”
“No, I reckon not. It’s no place for a nice girl to be. But they’ll
keep her. The people just clap and clap when she does things, she’s so
’cute, someway. Those other women, they’re no good. It would make you
sick to see them trying to be funny. And they’re always wanting
everybody to wait on ’em. I tell you I’m tired of ’em, and so’s Zalie, I
expect. She’ll just be a slave to them, that’s what she’ll be, and
she’ll never get a good word out of ’em neither. I wisht she could stay
here with your ma. If she could, then I’d clear out—run away and get a
place in a mill or somewhere. I tell you, I don’t like drinking and
roaming. It’s too much like being a tramp. Good folks like your pa and
ma don’t think nothing of us, I can see that. And I—I don’t like it
neither.”
Public-domain text, read in full here on John Shaqi.
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