Béarn and the Pyrenees : $b A legendary tour to the country of Henri QuatreCostello, Louisa Stuart
History
Béarn and the Pyrenees : $b A legendary tour to the country of Henri Quatre
Costello, Louisa Stuart
Béarn (France) -- Description and travel; Pyrenees -- Description and travel
All this, though startling, was not convincing; Jasmin, the barber,
might only be a fashion, a _furor_, a _caprice_, after all; and it was
evident that he knew how to get up a scene well. When we had become
nearly tired of looking over these tributes to his genius, the door
opened, and the poet himself appeared. His manner was free and
unembarrassed, well-bred, and lively; he received our compliments
naturally, and like one accustomed to homage; said he was ill, and
unfortunately too hoarse to read anything to us, or should have been
delighted to do so. He spoke in a broad Gascon accent, and very rapidly
and eloquently; ran over the story of his successes; told us that his
grandfather had been a beggar, and all his family very poor; that he was
now as rich as he wished to be, his son placed in a good position at
Nantes; then showed us his son's picture, and spoke of his disposition,
to which his brisk little wife added, that, though no fool, he had not
his father's genius, to which truth Jasmin assented as a matter of
course. I told him of having seen mention made of him in an English
review; which he said had been sent him by Lord Durham, who had paid him
a visit; and I then spoke of 'Mi cal mouri' as known to me. This was
enough to make him forget his hoarseness and every other evil: it would
never do for me to imagine that that little song was his best
composition; it was merely his first; he must try to read me a little of
l'Abuglo--a few verses of "Françouneto;"--"You will be charmed," said
he; "but if I were well, and you would give me the pleasure of your
company for some time; if you were not merely running through Agen, I
would kill you with weeping--I would make you die with distress for my
poor Margarido--my pretty Françouneto!"
He caught up two copies of his book, from a pile lying on the table, and
making us sit close to him, he pointed out the French translation on one
side, which he told us to follow while he read in Gascon. He began in a
rich soft voice, and as he advanced, the surprise of Hamlet on hearing
the player-king recite the disasters of Hecuba, was but a type of ours,
to find ourselves carried away by the spell of his enthusiasm. His eyes
swam in tears; he became pale and red; he trembled; he recovered
himself; his face was now joyous, now exulting, gay, jocose; in fact, he
was twenty actors in one; he rang the changes from Rachel to Bouffé; and
he finished by delighting us, besides beguiling us of our tears, and
overwhelming us with astonishment.
Public-domain text, read in full here on John Shaqi.
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