Béarn and the Pyrenees : $b A legendary tour to the country of Henri QuatreCostello, Louisa Stuart
History
Béarn and the Pyrenees : $b A legendary tour to the country of Henri Quatre
Costello, Louisa Stuart
Béarn (France) -- Description and travel; Pyrenees -- Description and travel
He would have been a treasure on the stage; for he is still, though his
first youth is past, remarkably good-looking and striking; with black,
sparkling eyes of intense expression; a fine ruddy complexion; a
countenance of wondrous mobility; a good figure; and action full of fire
and grace; he has handsome hands, which he uses with infinite effect;
and, on the whole, he is the best actor of the kind I ever saw. I could
now quite understand what a troubadour or _jongleur_ might be, and I
look upon Jasmin as a revived specimen of that extinct race. Such as he
is might have been Gaucelm Faidit, of Avignon, the friend of Coeur de
Lion, who lamented the death of the hero in such moving strains; such
might have been Bernard de Ventadour, who sang the praises of Queen
Elionore's beauty; such Geoffrey Rudel, of Blaye, on his own Garonne;
such the wild Vidal: certain it is, that none of these troubadours of
old could more move, by their singing or reciting, than Jasmin, in whom
all their long-smothered fire and traditional magic seems re-illumined.
We found we had stayed hours instead of minutes with the poet; but he
would not hear of any apology--only regretted that his voice was so out
of tune, in consequence of a violent cold, under which he was really
labouring, and hoped to see us again. He told us our countrywomen of Pau
had laden him with kindness and attention, and spoke with such
enthusiasm of the beauty of certain "misses," that I feared his little
wife would feel somewhat piqued; but, on the contrary, she stood by,
smiling and happy, and enjoying the stories of his triumphs. I remarked
that he had restored the poetry of the troubadours; asked him if he knew
their songs; and said he was worthy to stand at their head. "I am,
indeed, a troubadour," said he, with energy; "but I am far beyond them
all; they were but beginners; they never composed a poem like my
Françounete! there are no poets in France now--there cannot be; the
language does not admit of it; where is the fire, the spirit, the
expression, the tenderness, the force of the Gascon? French is but the
ladder to reach to the _first floor_ of Gascon--how can you get up to a
height except by a ladder!"
This last metaphor reminded me of the Irishman's contempt for an English
staircase in comparison to his father's ladder; and my devotion to the
troubadours and _early_ French poets received a severe shock by the
slight thrown on them by the bard of Agen.
We left him, therefore, half angry at his presumption; and once out of
his sight I began again to doubt his merit, not feeling ready to accord
the meed of applause to conceit at any time; I forgot that Jasmin is a
type of his kind in all ways, and "is every inch" a _Gascon_.
Public-domain text, read in full here on John Shaqi.
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