We paused every now and then, on our ascent, to wonder at the appearance of the town, of which, and the river, we caught glimpses at intervals, and to gaze upwards at the strange old Roman walls above us, and the high houses, some with five and six rows of windows in their shelving roofs. At length, after considerable toil, we reached the platform where once stood the château, and where still stands a curious building, all towers and tourelles, some ugly, and some of graceful form, the latter apparently of the period of Charles VI. Immediately before the steps in the square above us rose the cathedral, which we came upon unawares; and, exactly in front of us, in an angle, partly concealed by the broad shadow, we perceived a figure so mysterious, so remarkable, that it was impossible not to create in the mind of a beholder the most interesting speculations. This extraordinary figure deserves particular description, and I hope it may be viewed by some person more able than myself to explain it, or one more fortunate than I was in obtaining information respecting it. To all the questions I asked of the dwellers in Le Mans, the answers were exclamations of surprise at a stranger having noticed that which had never been remarked at all by any one of the passers by, who classed it with the stones of the church or the posts of the square. Yet surely the antiquarian will not be indifferent to the treasure which, it appears to me, he should hail with as much delight as the discovery of a Druidical monument or a Roman pavement. Seated in an angle of the exterior walls of the cathedral, on a rude stone, is a reddish looking block, which has all the appearance of a veiled priest, covered with a large mantle, which conceals his hands and face. The height of the figure is about eight feet as it sits; the feet, huge unformed masses, covered with what seems drapery, are supported on a square pedestal, which is again sustained by one larger, which projects from the angle of the building. The veil, the ample mantle, and two under-garments, all flowing in graceful folds, and defining the shape, may be clearly distinguished. No features are visible, nor are the limbs actually apparent, except through the uninterrupted waving lines of the drapery, or what may be called so. A part of the side of what seems the head has been sliced off, otherwise the block is entire. It would scarcely appear to have been sculptured, but has the effect of one of those sports of Nature in which she delights to offer representations of forms which the fancy can shape into symmetry.