Béarn and the Pyrenees : $b A legendary tour to the country of Henri QuatreCostello, Louisa Stuart
History
Béarn and the Pyrenees : $b A legendary tour to the country of Henri Quatre
Costello, Louisa Stuart
Béarn (France) -- Description and travel; Pyrenees -- Description and travel
Some of the tottering buildings attached to the strangely-irregular
mass, were, it seems, condemned by the bewildered architect to
demolition, as possessing no beauty, and encumbering the plans of
improvement; but the late Duke of Orleans came to visit the castle, and
had not the heart to give consent that any of the old walls, still
standing, should be swept away. He looked at the place with true poetic
and antiquarian feeling, and arrested the hand of the mason, who would
have destroyed that part called _La Chancellerie_, which extends between
the donjon of Gaston Phoebus to the Tour Montauzet. The prince
represented to his father his views on the subject, which were instantly
adopted--a question of taste in that family meets with no
opposition--and all was to have been arranged according to the ideas of
the heir of France, who seemed inclined to make Pau an abode at a
_future day_: the King was to have visited the interesting old castle:
much animated discussion and much enthusiasm prevailed on the subject in
the interior of the royal circle, and the Berceau of Henri Quatre seemed
destined to proud days again.
"When, hush! hark! a deep sound comes like a rising knell!"
The wail of a whole nation tells that that _anticipated future_ may not
come! A cloud has again gathered over the valley of the Gave, and a sad
pause--the pause of blighted hopes--has chilled the expectations in
which Béarn had ventured to indulge.
But the castle is not, even now, neglected: the architects are still
there; workmen are still busy, chiseling and planing; the beautiful
arabesques and reliefs are coming forth to view, restored with all their
original delicacy: the ceilings are glowing with fresh gilding, the
walls are bright with fresh tapestry, and the rooms are newly floored.
But for the dreadful event which must cast a gloom over France for some
years, the castle would, probably, have been sufficiently put in order
for a royal visitor this year; but all the magnificent furniture, sent
down from Paris to fit up the _suite_ intended for use, now stands
unarranged, and a stop is put to embellishment. Amongst the most curious
and interesting pieces of this furniture, are the bed and chair of
Jeanne d'Albret, her screen--perhaps worked by her own hand--and the bed
of Henry II.: all fine specimens of art in this style; the latter, in
particular, is quite unique, and is one of the most curious I have ever
seen: the sculpture is very elaborate; at the foot reclines, in relief,
a Scotch guard, such as always lay at the threshold of the sovereign, at
the period when this piece of furniture was made. An owl of _singular
expression_ sits watching, opposite, surrounded by foliage and poppies,
quite in character with the sleepy scene: the posts of the bedstead are
beautifully turned: it is so formed as to draw out and close in, forming
a _bed by night_, _a cabinet by day_; and the carved arch at the back is
sculptured in the most exquisite manner.
Public-domain text, read in full here on John Shaqi.
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