"I have had some fruit juice prepared with a dash of bitters. It is
quite nice. And I'll ask you, James, not to explode before the servants.
I will explain later."
Father has a very nice disposition but I could see that mother's manner
got on his nerves, as it got on mine. Anyhow there was a terrific fuss,
with Sis playing the piano so that the servants would not hear, and in
the end father had a cocktail. Mother waited until he had had it, and
was quieter, and then she told him about me, and my having a flask in
my suitcase. Of course I could have explained, but if they persisted in
misunderstanding me, why not let them do so, and be miserable?
"It's a very strange thing, Bab," he said, looking at me, "that
everything in this house is quiet until you come home, and then we get
as lively as kittens in a frying pan. We'll have to marry you off pretty
soon, to save our piece of mind."
"James!" said my mother. "Remember last winter, please."
There was no claret or anything with dinner, and father ordered mineral
water, and criticized the food, and fussed about Sis's dressmaker's
bill. And the second man gave notice immediately after we left the
dining room. When mother reported that, as we were having coffee in the
drawing room, father said:
"Humph! Well, what can you expect? Those fellows have been getting the
best half of a bottle of claret every night since they've been here, and
now it's cut off. Damned if I wouldn't like to leave myself."
From that time on I knew that I was watched. It made little or no
difference to me. I had my work, and it filled my life. There were times
when my soul was so filled with joy that I could hardly bare it. I had
one act done in two days. I wrote out the love scenes in full, because I
wanted to be sure of what they would say to each other. How I thrilled
as each marvelous burst of fantasy flowed from my pen! But the dialogue
of less interesting parts I left for the actors to fill in themselves.
I consider this the best way, as it gives them a chance to be original,
and not to have to say the same thing over and over.
Jane Raleigh came over to see me the day after I came home, and I read
her some of the love scenes. She positively wept with excitement.
"Bab," she said, "if any man, no matter who, ever said those things to
me, I'd go straight into his arms. I couldn't help it. Whose going to
act in it?"
"I think I'll have Robert Edeson, or Richard Mansfield."
"Mansfield's dead," said Jane.
"Honestly?"
"Honest he is. Why don't you get some of these moving picture actors?
They never have a chance in the Movies, only acting and not talking."
Well, that sounded logical. And then I read her the place where the
cruel first husband comes back and finds her married again and happy,
and takes the children out to drown them, only he can't because they can
swim, and they pull him in instead. The curtain goes down on nothing but
a few bubbles rising to mark his watery grave.
Jane was crying.
Public-domain text, read in full here on John Shaqi.
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