The room displayed a modest and pleasant color-scheme, after one of the
best standard designs of the decorator who “did the interiors” for most
of the speculative-builders’ houses in Zenith. The walls were gray, the
woodwork white, the rug a serene blue; and very much like mahogany was
the furniture--the bureau with its great clear mirror, Mrs. Babbitt’s
dressing-table with toilet-articles of almost solid silver, the plain
twin beds, between them a small table holding a standard electric
bedside lamp, a glass for water, and a standard bedside book with
colored illustrations--what particular book it was cannot be
ascertained, since no one had ever opened it. The mattresses were firm
but not hard, triumphant modern mattresses which had cost a great deal
of money; the hot-water radiator was of exactly the proper scientific
surface for the cubic contents of the room. The windows were large and
easily opened, with the best catches and cords, and Holland
roller-shades guaranteed not to crack. It was a masterpiece among
bedrooms, right out of Cheerful Modern Houses for Medium Incomes. Only
it had nothing to do with the Babbitts, nor with any one else. If
people had ever lived and loved here, read thrillers at midnight and
lain in beautiful indolence on a Sunday morning, there were no signs of
it. It had the air of being a very good room in a very good hotel. One
expected the chambermaid to come in and make it ready for people who
would stay but one night, go without looking back, and never think of it
again.
Every second house in Floral Heights had a bedroom precisely like this.
The Babbitts’ house was five years old. It was all as competent and
glossy as this bedroom. It had the best of taste, the best of
inexpensive rugs, a simple and laudable architecture, and the latest
conveniences. Throughout, electricity took the place of candles and
slatternly hearth-fires. Along the bedroom baseboard were three plugs
for electric lamps, concealed by little brass doors. In the halls were
plugs for the vacuum cleaner, and in the living-room plugs for the piano
lamp, for the electric fan. The trim dining-room (with its admirable oak
buffet, its leaded-glass cupboard, its creamy plaster walls, its modest
scene of a salmon expiring upon a pile of oysters) had plugs which
supplied the electric percolator and the electric toaster.
In fact there was but one thing wrong with the Babbitt house: It was not
a home.
II
Often of a morning Babbitt came bouncing and jesting in to breakfast.
But things were mysteriously awry to-day. As he pontifically tread the
upper hall he looked into Verona’s bedroom and protested, “What’s the
use of giving the family a high-class house when they don’t appreciate
it and tend to business and get down to brass tacks?”
Public-domain text, read in full here on John Shaqi.
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