'Forget you, Minna! If ever I forget you, may my right hand forget her
cunning--and what more dreadful thing could a sculptor say by way of an
imprecation than that, now!'
'Oh, Colin, don't! Don't say so! Suppose it was to come true, you know!'
'But I don't mean to forget you, Minna; so it won't come true. Little
woman, I shall think of you always, and have your dear little gipsy
face for ever before me. And now, Minna, this time we must really say
good-bye. I'm out beyond my time already. Just one more; thank you,
darling. Goodbye, good-bye, Minna. Good-bye, dearest. One more. God
bless you!'
'Good-bye, Colin. Good-bye, good-bye. Oh, Colin, my heart is breaking.'
And when that night Minna lay awake in her own bare small room at prim
Miss Woollacott's, she thought it all over once more, and argued the
pros and cons of the whole question deliberately to herself with much
trepidation. 'He called me “dearest,” she thought in her sad little
mind, 'and he said he'd never forget me; that looks very much as if he
really loved me: but, then, he never asked me whether I loved him or
not, and he never proposed to me--no, I'm quite sure he never proposed
to me. I should have felt so much easier in my own mind if only before
he went away he'd properly proposed to me!' And then she covered her
head with the bed-clothes once more, and sobbed herself to sleep, to
dream of Colin.
The very next evening, Colin was at Paris.
CHAPTER XVII. A LITTLE CLOUD LIKE A MAN'S HAND.
At the Gare de Lyon, Colin put his master safely into his _coupe-lit_,
and then wandered along the train looking out for a carriage into which
he might install himself comfortably for the long journey. All the
carriages, as on all French express trains, were first-class; and Colin
soon picked one out for himself, with a vacant place next the window. He
jumped in and took his seat; and in two minutes more the train was off,
and he found himself, at last, beyond the possibility of a doubt, on his
way to Rome.
Rome, Rome, Rome! how the very name seemed to bound and thrill through
Colin Churchill's inmost nature! He looked at the little book of coupon
tickets which his master had given him; yes, there it was, as clear as
daylight, 'Paris, P.L.M., à Rome;' not a doubt about it. Rome, Rome,
Rome! It had seemed a dream, a fancy, hitherto; and now it was just
going to be converted into an actual living reality. He could hardly
believe even now that he would ever get there. Would there be an
accident at the summit level of the Mont Cenis tunnel, to prevent his
ever reaching the goal of his ambition? It almost seemed as if there
must be some hitch somewhere, for the idea of actually getting to
Rome--that Rome that Cicolari had long ago told him was the capital of
art--seemed too glorious and magnificent to be really true, for Colin
Churchill.
Public-domain text, read in full here on John Shaqi.
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