'Yes,' Gwen went on, 'Mr. Churchill, as we learnt quite incidentally, was a long time since, when he was quite a boy, in my Uncle Philip's employment. But he has risen by his own talent since then, and now he's a sculptor: there's his card which he gave me, and he has described himself there correctly, as you see. Now, he's poor, it seems, and as he was very anxious to come to Rome, and could find no other way of coming, he decided to come here as a valet. Wasn't that splendid of him! You can see at once that such devotion to art shows what a very remarkable young man he must really be--you're a lover of art yourself, and so you can sympathise with him--to come away as a servant, so as to get to Rome and see the works of Michael Angelo, and Raphael, and--and--and--all that sort of thing, you know,' Gwen added feebly, breaking down in her strenuous effort for a completion to her imagined trio. Sir Henry hawed a moment. 'Well, 'he said slowly, 'I must confess I don't exactly agree with you that it was such a very splendid thing of him to palm himself off upon me as a servant in this abominable underhand manner. You'll excuse me, my dear madam, but it seems to me--I may be wrong, but it seems to me certainly--that a man's either a servant or a sculptor: confound it all, he can't very well be both together. If he comes to me and gets a place on the representation that he's a valet, and then goes and represents to you that he's a sculptor, why, in that case--in that case, I say, it's the very devil. You'll excuse my saying it, but hang me if I can see what there is after all so very fine or splendid about it.' Gwen bit her lip. 'If you'd heard how beautifully he talked about art in the train,' she said persuasively, 'and how much he knew about Millet and Thorwaldsen and the old masters, and how at home he was in all the great picture-galleries in England, you wouldn't be surprised that he should wish, by hook or by crook, to come to Italy. Why, he can talk quite charmingly and delightfully about--about--about Titian and Perugino and Caravaggio, and I'm sure I don't know how many other great painters and people.' Sir Henry bent his head again in silent acquiescence. He remembered now that mysterious remark of Colin's, on the day of their first meeting, as to the rival Pinturicchio in the Knowle gallery. The woman was evidently right: that fellow Churchill was a bit of an artist, and had been quizzing his personal peculiarities for a whole fortnight, under cover of acting as valet. Now it's all very well for an enthusiastic young sculptor to go coming to Rome as a man-servant, in order to study Michael Angelo and Thorwald-sen, so long as he comes as somebody else's man-servant; but when he comes as one's own attendant, hang it all, you know, that's quite another matter. 'Well,' Sir Henry said, looking curiously at Gwen's embarrassed face, 'and what do you wish to ask me about my man Churchill?'