'Not got any introduction? Yes, I guess we have, Colin. Just you bring
along those drawings and designs you showed us last night, and you bet
Mr. Maragliano won't want any other introduction, I promise you. In
America, we'd rather see what a man can do, any day, than what all
his friends put together can say to crack him up in a letter of
recommendation.'
Colin ran upstairs trembling with excitement, and brought down the big
portfolio--Minna's portfolio, made with cloth and cardboard by her own
small fingers, and containing all his most precious sketches for
statues or bas-reliefs. They turned out into the new Rome of the English
quarter, and following the directions of the porter, they plunged at
last into the narrow alleys down by the Tiber till they came to the
entrance of a small and gloomy-looking street, the Via Colonna. It is
the headquarters of the native Italian artists. Colin's heart beat fast
when at length they stopped at a large house on the left-hand side and
entered the studio of Nicola Maragliano.
The great sculptor was standing in the midst of a group of friends and
admirers, his loose coat all covered with daubs of clay, and his shaggy
hair standing like a mane around him, when Sam and Colin were ushered
into his studio. Colin stood still for a moment, awestruck at the great
man's leonine presence; for Maragliano was one of the very few geniuses
whose outer shape corresponded in majesty to the soul within him.
[Illustration: 0152]
But Sam, completely unabashed by the novelty of the situation, walked
straight up to the famous artist, and said with a rapid jerk in his own
natural, easy-going manner, 'Speak any English?'
'A leetle,' Maragliano answered, smiling at the brusqueness of the
interrogation.
'Then what we want to know, sir, without wasting any time over it, is
just this: Here's my brother. He wants to be made into a sculptor.
Will you take him for a pupil, and if so, what'll your charge be? He's
brought some of his drawings along, for you to look at them. Will you
see them?'
Maragliano smiled again, this time showing all his white teeth, and
looked with an air of much amusement at Colin. The poor fellow was
blushing violently, and Maragliano saw that he was annoyed and hurt by
Sam's brusqueness. So he took the portfolio with a friendly gesture (for
he was a true gentleman), and proceeded to lay it down upon his little
side-table. 'Let us see,' he said in Italian, 'what the young American
has got to show me.'
'Not American,' Colin answered, in Italian too. 'I am English; but my
brother has lived long in America, and has perhaps picked up American
habits.'
Public-domain text, read in full here on John Shaqi.
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