'Are nossing,' Maragliano answered; 'nossing, nossing. I will teach
you for ze love of art, as you will learn for it. No, no,' he went
on, breaking into Italian again, as Colin tried to thank him or to
expostulate with him. 'You needn't thank me. It is but the repayment of
a debt. I owe it to your own Gibson, as Gibson owed it before to Canova.
It is a tradition among us Roman sculptors; you will keep it up, and
will repay it in due time hereafter to some future follower. Many years
ago I came to Rome. I was an unknown lad from Genoa. I came as a model
to Gibson's studio. I sat for an Antinous. Gibson saw me modelling
little bits of clay for amusement in my off times, and said to me, “You
would make a sculptor.” I laughed. He gave me a little clay, and saw
what I could do; I modelled a head after his Venus. Then he took me on
as his pupil; and now--I am Nicola Maragliano. I am glad to repay an
Englishman the debt I owe to the illustrious Gibson. You must take my
lessons, as I took his, in trust for art, and not talk between brother
artists about such dirt as money.'
Colin seized his hand eagerly. 'Oh, sir,' he cried in English, 'you are
too noble, too generous. I shall never be able sufficiently to thank
you. If you will only condescend to give me instruction--to make me your
pupil--to let me model in your studio, I shall be eternally grateful to
you for such unexpected kindness.'
Maragliano wrung the young man's hand with a kindly fervour. 'That is
more than enough already,' he answered. 'Those who love art are all of
one family. When will you come to the studio? Let me see; you have not
been long in Rome?'
'We've only just come here,' put in Sam, proud of having caught the
meaning of the Italian.
'Ah, well; then you will want a little time, no doubt, to look about and
see the sights of Rome. What do you say to Tuesday fortnight?'
'If it's equally convenient for you, signor,' Colin answered, all aglow,
'I shall be at the studio to-morrow morning.'
Maragliano patted him gently on the head as though he were a child. 'My
friend,' he said, 'you speak courageously. That is the sentiment of all
true artists. You are impatient to get to work; you will not need a long
apprenticeship. Let it be so then. Tomorrow morning.'
CHAPTER XXII. HIRAM GETS SETTLED.
|Hiram,' Audouin said, as soon as Sam and Colin had left the hotel,
'it's time for us, I surmise, to be setting about the same errand.
Before we begin to look at the sights of Rome, we must arrange where you
ought to locate yourself, and when you ought to commence your artistic
studies.
Hiram looked blankly enough out of the window into the dusty piazza, and
answered in a tone of some regret, 'Well, Mr. Audouin, if you think
so, I suppose it'll be best to do it, though I can't say I'm in any
particular hurry. Where do you contemplate making inquiries?'
Public-domain text, read in full here on John Shaqi.
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