As for Colin, now that Sam had gone back to England, on his way home to
America (Sam used the expression himself quite naturally now), he had
thrown himself with the utmost fervour into the work of Maragliano's
studio, where he soon rose to the acknowledged position of the great
master's most favourite pupil. The model of the Calabrian Peasant which
he built up upon the blacksmith's framework was the last copy he had to
do for Maragliano. As soon as it was finished, the master scanned
the clay figure with his quick critical eye, and cried almost
contemptuously, 'Why, this is mere child's play for such a man as you,
I see, Churchill. You must do no more copying. To-morrow you shall begin
modelling from the life.' Colin was well pleased indeed to go on to this
new and untried work, and he made such rapid progress in it that even
Maragliano himself was quite surprised, and said confidentially to
Bazzoni more than once, 'The young Englishman will go far. He has the
spark of genius in him, my friend; he is a born sculptor.'
It was all so different too in Rome, from London, where Colin had been
isolated, unknown, and almost friendless. There was nobody there except
Cicolari--and Minna; dear little woman, he had almost omitted her--with
whom he could talk on equal terms about his artistic longings and ideas
and interests. But at Rome it was all so different. There was such a
great society of artists! Every man's studio was open to his fellows; a
lively running fire of candid criticism went on continually about every
work completed or in progress. To live in such an atmosphere of art, to
move amongst it and talk about it all day long, to feast his eyes upon
the grand antiques and glorious Michael Angelos of the Vatican--all this
was to Colin Churchill as near an approach to unmixed happiness as it
is given to human beings to know in this nether world of very mixed
experiences. If only he had had Minna with him! But there! Colin
Churchill loved art so earnestly and singlemindedly that for its sake
he could well endure even a few years' brief absence in Rome away from
poor, little, loving, sorrowing Minna.
Public-domain text, read in full here on John Shaqi.
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