'Ah, but even dress itself is in its way a liturgy, Miss Russell,'
Audouin went on quickly, glancing half aside as he spoke at her own
dainty bodice and little frill of coffee-coloured laces. (Gwen hadn't
the least idea what he meant by a liturgy in this connection; but she
thought it was something very beautiful and poetical to say, and she
felt sure it was meant for a compliment; so she smiled graciously at
it). 'People sometimes foolishly say that young ladies think a great
deal too much about dress. For my part, it often occurs to me, when I
look at _other_ women; that they think a great deal too little of it.
How rarely, after all, does one see art subservient here to nature--a
beautiful woman whose dress rather expresses and accentuates than mars
or clashes with her own individual type of beauty.'
'How complimentary he is,' thought Gwen; 'and at his age too! Why, I
positively believe he must be very nearly forty!'
'Shall we go down and look at the Emissary?' Colin asked, interrupting
Audouin's flow of pretty sentimentalities. 'It's very old, you know,
Miss Russell: one of the oldest existing works of Roman engineering
anywhere in Europe.'
Audouin jumped up again, and led the way down to the Emissary, where the
guide was already standing, impatiently expecting so many visitors, with
the little taper in his hands which he lights and sets floating down the
stream in order to exhibit to the greatest advantage the full extent
of the prehistoric tunnel. 'Can't I manage to shake off this fellow
Churchill somehow or other,' Audouin thought to himself in inward
vexation, and get half an hour's chat alone with Miss Bussell? I do
believe the creature'll checkmate me now, all by his ridiculous English
heavy persistency! And yet, what a scholars mate, too, to go and
be shelved by such a mere hobbledehoy of a fellow as this young man
Churchill!'
Half way down the steep path, they came unexpectedly upon a solitary
figure, sitting with colour-box open and sheet of paper before him, just
above the entrance to the old tunnel. Audouin started when he saw him.
'Why, Hiram,' he cried, 'so there you are! I've been hunting everywhere
for you, my dear fellow. We couldn't, any of us, imagine where on earth
you had evanished.'
Hiram didn't look up in reply, and Gwen's quick eye immediately caught
the reason, though she couldn't guess at its explanation--the young
American painter had certainly been crying! Sitting here alone by
himself, and crying! Gwen's heart interpreted the tears at once after a
true woman's fashion. He had left some little rustic sweetheart behind
in America, and he didn't care to sit and chat gaily among so many other
women, while she was alone without him; but had crept down here with his
paint-box by himself, to make a small sketch in perfect solitude,
and think about her. But who would ever have imagined that that gawky
shock-headed American boy had really got so much romance in him!
Public-domain text, read in full here on John Shaqi.
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