Short stories; United States -- Social life and customs -- 19th century -- Fiction
I'll ask to be let off the committee that judges the rest of the
exhibits in the Fine Arts Hall, the quilts and the Battenberg, and the
crocheting, and such. I know the Log Cabin pattern, and the
Mexican Feather pattern, and I think I could make out to tell the
Hen-and-Chickens pattern of quilts, but that's as much as ever. And as
to the real, hand-painted views of fruit-cake, and grapes and apples on
a red table-cloth, I am one of those that can't make allowances for the
fact that she only took two terms. I call to mind one picture that Miss
Alvalou Ashbaker made of her pap, old “Coonrod” Ashbaker. The Lord knows
he was a “humbly critter,” but he wasn't as “humbly” as she made him out
to be, with his eyes bulging out of his head as if he was choking on a
fishbone. And, instead of her dressing him up in his Sunday clothes, I
wish I may never see the back of my neck if that girl didn't paint him
in a red-and-black barred flannel shirt, with porcelain buttons on it!
And his hair looked as if the calf had been at it. Wouldn't you think
somebody would have told her? And that isn't all. She got the premium!
Neither am I prepared to pass judgment on the fancy penmanship displayed
by Professor Swope, framed elegantly in black walnut, and gilt,
depicting a bounding deer, all made out of hair-line, shaded spirals,
done with his facile pen. (No wonder a deer can jump so, with all those
springs inside him.) Professor Swope writes visiting cards for you,
wonderful birds done in flourishes and holding ribbons in their bills.
He puts your name on the ribbon place. Neatest and tastiest thing you
can imagine. I like to watch him do it, but it makes me feel unhappy,
somehow. I never was much of a scribe, and it's too late for me to learn
now.
I don't feel so downcast when I examine the specimens of writing done by
the children of District No. 34. I can just see the young ones working
at home on these things, with their tongues stuck out of one corner of
their mouths.
“Rome was not built in a day
Rome was not built in a day
Rome was not built in a day”
and so on, bearing down hard on the downstroke of the curve in the
capital “R,” and clubbing the end of the little “t.” And in the higher
grades, they toil over “An Original Social Letter,” describing to
an imaginary correspondent a visit to Crystal Lake, or the Magnetic
Springs. I can hear them mourn: “What shall I say next?” and “Ma, make
Effie play some place else, won't you? She jist joggles the table like
everything. Now, see what you done! Now I got to write it all over
again. No, I cain't 'scratch it out. How'd it look to the County Fair
all scratched out? Plague take it all!”
The same hands have done maps of North and South America, and
red-and-blue ink pictures of the circulation of the blood. It does beat
all how smart the young ones are nowadays. I could no more draw off a
picture of the circulation of the blood--get it right, I mean--why, I
wouldn't attempt it.
Public-domain text, read in full here on John Shaqi.
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