Short stories; United States -- Social life and customs -- 19th century -- Fiction
I am kind of mixed up in my recollection of the hall right next to the
Fine Arts. You know it had two doors in each end. Sometimes I can
see the central space between the doors, roped off and devoted to
sewing-machines with persons demonstrating that they ran as light as a
feather, and how it was no trouble at all to tuck and gather, and
fell; to organs, which struck me with amaze, because by some witchcraft
(octave coupler, I think they called it) the man could play on keys
that he didn't touch, and pianos, whereon young ladies were prevailed to
perform “Silvery Waves”--that's a lovely piece, I think, don't you?--and
“Listen to the mocking-bird, TEE-die-eedle-DONG
Lisen to the mocking-bird, teedle-eedle-EE-dle DONG
The mocking-bird still singing oer her grave,
toomatooral-oo-cal-LEE!”
And then again I can see that central, roped-off space given over
to reckless deviltry, sheer impudent, brazen-faced, bold,
discipline-defying er--er--wickedness. I had heard that people did
things like that, but this was the first time I had ever caught a
glimpse of such carryings-on in the broad open daylight, right before
everybody. I stood there and watched them for hours, expecting every
minute to see fire fall from heaven on them and burn up every son and
daughter of Belial. But it didn't.
I seem to recollect that it was a hot day, and that, tucked away where
not a breath of air could get to them, were three fellows in their
shirtsleeves, one playing on an organ, one on a yellow clarinet, and
one on a fiddle. Every chance he could get, the fiddler would say to the
organist: “Gimme A, please,” and saw away trying to get into some sort
of tune, but the catgut was never twisted that would hold to pitch
with the perspiration dribbling down his fingers in little rills. The
clarinet man looked as if he wanted to cry, and he had to twitter his
eyelids all the time to keep the sweat from blinding him, and every once
in a while, his soggy reed would let go of a squawk that sounded like
a scared chicken. But the organ groaned on unrelentingly, and the tune
didn't matter so much as the rhythm which was kept up as regular as a
clock, whack! whack! whack! whack! And there were two or three other
fellows with badges on that went around shouting: “Select your podners
for the next quadrille! One more couple wanted right over here!”
Dancing. M-hm.
Public-domain text, read in full here on John Shaqi.
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