Short stories; United States -- Social life and customs -- 19th century -- Fiction
Abel Horn (Abel led the singing in meeting, and had a loud bass voice;
he always began before everybody and ended after everybody) was standing
behind Uncle Billy, and Lycurgus could see him with his head juked
forward and his eyebrows up and his mouth wide open in silent laughter,
very disconcerting to Brother Littell, who didn't want to anger Uncle
Billy, and maybe lose his trade by grinning in his face.
“An' now you got to go an' put up a Christmas tree right in the altar,”
stormed Uncle Billy, “an' dike it all out with pop-corn an' candles.
You're gittin' as bad 's the Catholics, every bit. Worse, I say, becuz
they never had the Gospel light, an' is jist led round by the priest an'
have to pay to git their sins forgive. But you, you're a-walkin'
right smack dab into it, weth your eyes open, teachin' fer Gospel the
inventions o' men.”
“W'y what, Uncle Billy?”
“W'y, this here Santy Claus a-climbin' down a chimley an' a-cuttin' up
didoes fer to make them little ones think they is a reel Santy Claus
'cuz they seen him to the meetin' house. Poot soon when they git a
little older 'n' they find out how you been afoolin' 'em about Santy
Claus, they'll wonder if what you been a-tellin' 'em about the Good Man
ain't off o' the same bolt o' goods, an' another one o' them cunningly
devised fables. Think they'll come any blessin' on tellin' a lie? An'
a-actin' it out? No, sir. No, sir. Ain't ary good thing to a lie, no way
you kin fix it. How kin they be? Who's the father of lies? W'y the Old
Scratch! That's who. An' here you go a--”
The old man was so wroth that he couldn't finish and turned and stamped
out, slamming the door after him.
Brother Littell winked and waited till Mr. Nicholson got out before he
mildly observed “Kind o' hot in under the collar, 'pears like.”
“Righteous mad, I s'pose,” said Abel Horn.
“You waited on yit, bub?” asked Brother Littell. “I betchy he's
a-thinkin' right now he'll take his letter out o' Centre Street an' go
to the Barefoot Church. He would, too, if 't wasn't clean plumb at the
fur end o' town an' a reg'lar mud-hole to git there.”
“Pity him an' a few more of 'em up in the Amen corner wouldn't go,” said
Abel Horn. “Mind the time we sung, 'There is a Stream?' You know
they's a solo in it fer the soprano. Well, 't is kind o' operatic an'
skallyhootin' up an' down the scale. I give the solo to Tilly Wilkerson
an' if that old skeezicks didn't beller right out in the middle of it:
'It's a disgrace tud Divine service!' He did. You could 'a' heard him
clear to the court-house. My! I thought I'd go up. Tilly, she was kind
o' scared an' trimbly, but she stuck to it like a major. Said afterwards
she'd 'a' finished that solo if it was the last act she ever done.”
“Who's a-goin' to be Santy Claus?” asked Brother Littell, with cheerful
irrevelance.
“The committee thought that had better be kept a secret,” replied Abel,
with as much dignity as his four feet nine would admit of.
Public-domain text, read in full here on John Shaqi.
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