Short stories; United States -- Social life and customs -- 19th century -- Fiction
You know that when a fellow gets so he can shave himself without cutting
half his lip off, when it takes him half an hour to get the part in his
hair to suit him, when he gets in the way of shining his shoes and has
a pretty taste in neckties, he doesn't want to bawl the air of a piece
like the old stick-in-the-muds up in the Amen corner or in Mr. Parker's
class. He wants to sing bass. Air is too high for him anyhow unless he
sings it with a hog noise. Oh, you get out! You do, too, know what a
“hog noise” is. You want to let on you've always lived in town. Likely
story if you never heard anybody in the hog-pasture with a basket of
nubbins calling, “Peeg! Peeg! Boo-eel Booee!” A man's voice breaks into
falsetto on the “Boo-ee!” Well, anyhow, such a young man as I am telling
you of would be ashamed to sing with a hog noise. He wants to sing bass.
Now the regular hymn-tunes change the bass as often as they change the
soprano, and if you go fumbling about for the note, by the time you get
it right it is wrong, because the tune has gone on and left you. The
Sabbath-school songs had the young man Absalom distinctly in view. They
made the bass the same all through the measure, and all the changes were
strictly on the do, sol and fa basis. As far as the other notes in the
scale were concerned, the young man Absalom need not bother his head
with them. With do, sol and fa he could sing through the whole book from
cover to cover as good as anybody.
When people find out what fun it is to sing by note, it is only a step
to the “Messiah,” two blocks up and turn to the right, as you might say.
After that, it is only going ahead till you get to “Vogner.” Yes, and
many's the day you called the hogs. Don't tell me.
Once a month on Sunday evenings there were Sabbath-school concerts.
The young ones sat in the front seats, ten or twelve in a pew. “Now,
children,” said the superintendent, “I want you all to sing loud
and show the folks how nice you can sing. Page 65. Sixty-fi'th page,
'Scatter Seeds of Kindness.' Now, all sing out now.” We licked our
thumbs and scuffled through the book till we found the place. We scowled
at it, and stuck out our mouths at it, and shrieked at it, and bawled
at it, and did the very best we knew to give an imitation of two hundred
little pigs all grabbed by the hind leg at once. That was what made
folks call it a concert.
Public-domain text, read in full here on John Shaqi.
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