Back Home: Being the Narrative of Judge Priest and His PeopleCobb, Irvin S. (Irvin Shrewsbury)
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Back Home: Being the Narrative of Judge Priest and His People
Cobb, Irvin S. (Irvin Shrewsbury)
Kentucky -- Social life and customs -- Fiction; Short stories, American
The sound swelled and rippled and rose through the windows--the marching
song of the Southern trooper--Forrest's men, and Morgan's, and Jeb
Stuart's and Joe Wheeler's. It had in it the jingle of saber chains, the
creak of sweaty saddle-girths, the nimble clunk of hurrying hoofs. It
had in it the clanging memories of a cause and a time that would live
with these people as long as they lived and their children lived
and their children's children. It had in it the one sure call to the
emotions and the sentiments of these people.
And it rose and rose and then as the unseen minstrel went slouching down
Main Street, toward the depot and the creek it sank lower and became a
thin thread of sound and then a broken thread of sound and then it died
out altogether and once more there was silence in the court house of
Forked Deer County.
Strangely enough not one listener had come to the windows to look out.
The interruption from without had seemed part and parcel of what went on
within. None faced to the rear, every one faced to the front.
There was Mr. Lukins now. As Mr. Lukins got upon his feet he said to
himself in a tone of feeling that he be dad-fetched. But immediately
changing his mind he stated that he would preferably be dad-blamed, and
as he moved toward the bar rail one overhearing him might have gathered
from remarks let fall that Mr. Lukins was going somewhere with the
intention of being extensively dad-burned. But for all these threats Mr.
Lukins didn't go anywhere, except as near the railing as he could press.
Nearly everybody else was standing up too. The state's attorney was
on his feet with the rest, seemingly for the purpose of making some
protest.
Had any one looked they might have seen that the ember in the smoldering
eye of the old foreman had blazed up to a brown fire; that Juror No. 4,
with utter disregard for expense, was biting segments out of the brim of
his new brown-varnished straw hat; that No. 7 had dropped his crutches
on the floor, and that no one, not even their owner, had heard them
fall; that all the jurors were half out of their chairs. But no one saw
these things, for at this moment there rose up Aunt Tilly Haslett, a
dominant figure, her huge wide bade blocking the view of three or four
immediately behind her.
Uncle Fayette laid a timid detaining hand upon her and seemed to be
saying something protestingly.
“Turn loose of me, Fate Haslett!” she commanded. “Ain't you ashamed of
yourse'f, to be tryin' to hold me back when you know how my only dear
brother died a-followin' after Gineral Nathan Bedford Forrest. Turn
loose of me!”
She flirted her great arm and Uncle Fayette spun flutteringly into the
mass behind. The sheriff barred her way at the gate of the bar.
Public-domain text, read in full here on John Shaqi.
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