Back Home: Being the Narrative of Judge Priest and His PeopleCobb, Irvin S. (Irvin Shrewsbury)
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Back Home: Being the Narrative of Judge Priest and His People
Cobb, Irvin S. (Irvin Shrewsbury)
Kentucky -- Social life and customs -- Fiction; Short stories, American
After the half-mile dash and before the first heat of the two-twenty
pace there was a balloon ascension and parachute drop. Judge Priest's
Jeff was everywhere that things were happening. He did two men's part in
holding the bulging bag down to earth until the spangled aeronaut yelled
out for everybody to let go. When the man dropped, away over by the back
fence, Jeff was first on the spot to brush him off and to inquire in a
voice of respectful solicitude how he was feeling, now that he'd come
down. Up in the grandstand, Mrs. Major Joe Sam Covington, who was stout
and wore a cameo breastpin as big as a coffee saucer at her throat,
expressed to nobody in particular a desire for a glass of cool water;
and almost instantly, it seemed, Judge Priest's Jeff was at her side
bowing low and ceremoniously with a brimming dipper in one hand and an
itch for the coming tip in the other. When the veterans adjourned
back behind Floral Hall for a watermelon cutting, Jeff, grinning and
obsequious, arrived at exactly the properly timed moment to receive a
whole butt-end of red-hearted, green-rinded lusciousness for his own.
Taking the opportunity of a crowded minute about Uncle Isom Woolfolk's
barbecued meat stand he bought extensively, and paid for what he bought
with a lead half dollar that he had been saving for months against just
such a golden chance--a half dollar so palpably leaden that Uncle Isom,
discovering it half an hour later, was thrown into a state of intense
rage, followed by a period of settled melancholy, coupled with general
suspicion of all mankind. Most especially, though, Judge Priest's Jeff
concerned himself with the running of the County Trot, being minded to
turn his earlier winnings over and over again.
From the outset Jeff, like most of the fair crowd, had favored Van
Wallace's black mare, Minnie May, against the only other entry for the
race, Jackson Berry's big roan trotting stallion, Blandville Boy. The
judgment of the multitude stood up, too, for the first two heats of the
County Trot, alternating in between heats of the two-twenty pace and the
free-for-all, were won handily by the smooth-gaited mare. Blandville Boy
was feeling his oats and his grooming, and he broke badly each time, for
all the hobble harness of leather that was buckled over and under him.
Nearly everybody was now betting on Minnie May to take the third and the
decisive heat.
Waiting for it, the crowd spread over the grounds, leaving wide patches
of the grandstand empty. The sideshows and the medicine venders enjoyed
heavy patronage, and once more the stalled ox and the fatted pig were
surrounded by admiring groups. There was a thick jam about the crowning
artistic gem of Floral Hall--a crazy quilt with eight thousand different
pieces of silk in it, mainly of acutely jarring shades, so that the
whole was a thing calculated to blind the eye and benumb the mind.
Public-domain text, read in full here on John Shaqi.
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