BACK TO LIFE
By Philip Gibbs
London: William Heinemann
1920
BOOK I--THE END OF THE ADVENTURE
I
It is hard to recapture the spirit of that day we entered Lille. Other
things since have blurred its fine images.
At the time I tried to put down in words the picture of that scene when,
after four years’ slaughter of men, the city, which had seemed a world
away, was open to us a few miles beyond the trench-lines; the riven
trees, the shell-holes, and the stench of death, and we walked across
the canal, over a broken bridge, into that large town where--how
wonderful it seemed I--there were roofs on the houses and glass in the
windows, and crowds of civilian people waiting for the first glimpse of
British khaki.
Even now remembrance brings back to me figures that I saw only for a
moment or two, but remain sharply etched in my mind, and people I met
in the streets who told me the story of four years in less than
four minutes and enough to let me know their bitterness, hatred,
humiliations, terrors, in the time of the German occupation.... I have
re-read the words I wrote, hastily, on a truculent typewriter which I
cursed for its twisted ribbon, while the vision of the day was in my
eyes. They are true to the facts and to what we felt about them. Other
men felt that sense of exaltation, a kind of mystical union with the
spirit of many people who had been delivered from evil powers. It is of
those other men that I am now writing, and especially of one who was my
friend--Wickham Brand, with the troubled soul, whom I knew in the years
of war and afterwards in the peace which was no peace to him.
His, was one of the faces I remember that day, as I had a glimpse of it
now and then, among crowds of men and women, young girls and children,
who surged about him, kissing his hands and his face when he stooped a
little (he was taller than most of them) to meet the wet lips of some
half-starved baby held up by a pallid woman of Lille, or to receive the
kiss of some old woman who clawed his khaki tunic, or of some girl who
hung on to his belt. There was a shining wetness in his eyes, and the
hard lines of his face had softened as he laughed at all this turmoil
about him, at all these hands robbing him of shoulder-straps and badges,
and at all these people telling him a hundred things together--their
gratitude to the English, their hatred of the Germans, their abominable
memories. His field-cap was pushed back from his high, furrowed forehead
from which at the temples the hair had worn thin, owing to worry or a
steel hat. His long, lean face, deeply tanned, but powdered with white
dust, had an expression of tenderness which gave him a kind of priestly
look, though others would have said “knightly” with, perhaps, equal
truth. Anyhow, I could see that for a little while Brand was no longer
worrying about the casualty lists and the doom of youth, and was giving
himself up to an exaltation that was visible and spiritual in Lille in
the day of liberation.
Public-domain text, read in full here on John Shaqi.
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