He had a room in the Domhof Hotel, and invited me to drink a whiskey
with him there one evening. When I sat on the edge of the bed while he
dispensed the drink, I noticed on his dressing-table a large photograph
of a girl in evening dress--a wonderfully pretty girl, I thought.
He caught my glance, and after a moment’s hesitation and a visible
blush, said: “My wife.... We were married before I came out, two years
ago exactly.”
He put his hand into the breast-pocket of his tunic and pulling out a
pocket-book, opened it with a snap, and showed me another photograph.
“That’s a better one of her.”
I congratulated him, but without listening to my words he asked me
rather awkwardly whether I could pull any strings for him to get
“demobbed.”
“It’s all a question of ‘pull,’” he said, “and I’m not good at that kind
of thing. But I want to get home.”
“Everybody does,” I said.
“Yes, I know, and of course I want to play the game, and all that. But
the fact is, my wife--she’s only a kid, you know--is rather hipped with
my long absence. She’s been trying to keep herself merry and bright, and
all that, with the usual kind of war-work. You know--charity bazaars,
fancy-dress balls for the wounded, Red Cross work, and all that. Very
plucky, too. But the fact is, some of her letters lately have been
rather--well--rather below par--you know--rather chippy and all that.
The fact is, old man, she’s been too much alone, and anything you can do
in the way of a pull at the War Office----”
I told him bluntly that I had as much influence at the War Office as the
charwoman in Room M.I. 8, or any other old room--not so much--and he was
damped, and apologised for troubling me. However, I promised to write
to the one High Bird with whom I had a slight acquaintance, and this
cheered him up considerably.
I stayed chatting for some time--the usual small-talk--and it was only
when I said good-night that he broached another subject which interested
me a good deal.
“I’m getting a bit worried about Wickham Brand,” he remarked in a casual
kind of way.
“How’s that?”
I gathered from Harding’s vague, disjointed sentences that Brand was
falling into the clutches of a German hussy. He had seen them together
at the Opera--they had met as if by accident--and one evening he had
seen them together down by the Rhine outside Cologne. He was bound to
admit the girl was remarkably good-looking, and that made her all
the more dangerous. He hated to mention this, as it seemed like
scandal-mongering about “one of the best,” but he was frightfully
disturbed by the thought that Brand, of all men, should fall a victim
to the wiles of a “lady Hun.” He knew Brand’s people at home--Sir Amyas
Brand, the Member of Parliament, and his mother, who was a daughter of
the Harringtons.
Public-domain text, read in full here on John Shaqi.
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