Back to Methuselah: A Metabiological PentateuchShaw, Bernard
Philosophy
Back to Methuselah: A Metabiological Pentateuch
Shaw, Bernard
Drama
to sign their name with a mark, and beside them men who master systems
of shorthand and improvise new systems of their own as easily as they
learnt the alphabet. These contrasts are to be seen on all hands, and
have nothing to do with variations in general intelligence, nor even
in the specialized intelligence proper to the faculty in question: for
example, no composer or dramatic poet has ever pretended to be able to
perform all the parts he writes for the singers, actors, and players who
are his executants. One might as well expect Napoleon to be a fencer, or
the Astronomer Royal to know how many beans make five any better than
his bookkeeper. Even exceptional command of language does not imply the
possession of ideas to express; Mezzofanti, the master of fifty-eight
languages, had less to say in them than Shakespear with his little Latin
and less Greek; and public life is the paradise of voluble windbags.
All these examples, which might be multiplied by millions, are cases in
which a long, laborious, conscious, detailed process of acquirement has
been condensed into an instinctive and unconscious inborn one. Factors
which formerly had to be considered one by one in succession are
integrated into what seems a single simple factor. Chains of hardly
soluble problems have coalesced in one problem which solves itself
the moment it is raised. What is more, they have been pushed back (or
forward, if you like) from post-natal to pre-natal ones. The child
in the womb may take some time over them; but it is a miraculously
shortened time.
Public-domain text, read in full here on John Shaqi.
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