Back to Methuselah: A Metabiological PentateuchShaw, Bernard
Philosophy
Back to Methuselah: A Metabiological Pentateuch
Shaw, Bernard
Drama
THE NEWLY BORN. What is your destiny?
THE HE-ANCIENT. To be immortal.
THE SHE-ANCIENT. The day will come when there will be no people, only
thought.
THE HE-ANCIENT. And that will be life eternal.
ECRASIA. I trust I shall meet my fatal accident before that day dawns.
ARJILLAX. For once, Ecrasia, I agree with you. A world in which there
were nothing plastic would be an utterly miserable one.
ECRASIA. No limbs, no contours, no exquisite lines and elegant shapes,
no worship of beautiful bodies, no poetic embraces in which cultivated
lovers pretend that their caressing hands are wandering over celestial
hills and enchanted valleys, no--
ACIS [_interrupting her disgustedly_] What an inhuman mind you have,
Ecrasia!
ECRASIA. Inhuman!
ACIS. Yes: inhuman. Why don't you fall in love with someone?
ECRASIA. I! I have been in love all my life. I burned with it even in
the egg.
ACIS. Not a bit of it. You and Arjillax are just as hard as two stones.
ECRASIA. You did not always think so, Acis.
ACIS. Oh, I know. I offered you my love once, and asked for yours.
ECRASIA. And did I deny it to you, Acis?
ACIS. You didn't even know what love was.
ECRASIA. Oh! I adored you, you stupid oaf, until I found that you were a
mere animal.
ACIS. And I made no end of a fool of myself about you until I discovered
that you were a mere artist. You appreciated my contours! I was plastic,
as Arjillax says. I wasn't a man to you: I was a masterpiece appealing
to your tastes and your senses. Your tastes and senses had overlaid the
direct impulse of life in you. And because I cared only for our life,
and went straight to it, and was bored by your calling my limbs fancy
names and mapping me into mountains and valleys and all the rest of it,
you called me an animal. Well, I am an animal, if you call a live man an
animal.
ECRASIA. You need not explain. You refused to be refined. I did my
best to lift your prehistoric impulses on to the plane of beauty, of
imagination, of romance, of poetry, of art, of--
ACIS. These things are all very well in their way and in their proper
places. But they are not love. They are an unnatural adulteration of
love. Love is a simple thing and a deep thing: it is an act of life and
not an illusion. Art is an illusion.
ARJILLAX. That is false. The statue comes to life always. The statues of
today are the men and women of the next incubation. I hold up the marble
figure before the mother and say, 'This is the model you must copy.' We
produce what we see. Let no man dare to create in art a thing that he
would not have exist in life.
MARTELLUS. Yes: I have been through all that. But you yourself are
making statues of ancients instead of beautiful nymphs and swains. And
Ecrasia is right about the ancients being inartistic. They are damnably
inartistic.
ECRASIA [_triumphant_] Ah! Our greatest artist vindicates me. Thanks,
Martellus.
Public-domain text, read in full here on John Shaqi.
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