It must be confessed that a wood-fire needs as much tending as a pair of
twins. To say nothing of fiery projectiles sent into the room, even by
the best wood, from the explosion of gases confined in its cells, the
brands are continually dropping down, and coals are being scattered
over the hearth. However much a careful housewife, who thinks more
of neatness than enjoyment, may dislike this, it is one of the chief
delights of a wood-fire. I would as soon have an Englishman without
side-whiskers as a fire without a big backlog; and I would rather have
no fire than one that required no tending,--one of dead wood that
could not sing again the imprisoned songs of the forest, or give out in
brilliant scintillations the sunshine it absorbed in its growth. Flame
is an ethereal sprite, and the spice of danger in it gives zest to the
care of the hearth-fire. Nothing is so beautiful as springing, changing
flame,--it was the last freak of the Gothic architecture men to
represent the fronts of elaborate edifices of stone as on fire, by
the kindling flamboyant devices. A fireplace is, besides, a private
laboratory, where one can witness the most brilliant chemical
experiments, minor conflagrations only wanting the grandeur of cities on
fire. It is a vulgar notion that a fire is only for heat. A chief value
of it is, however, to look at. It is a picture, framed between the
jambs. You have nothing on your walls, by the best masters (the poor
masters are not, however, represented), that is really so fascinating,
so spiritual. Speaking like an upholsterer, it furnishes the room.
And it is never twice the same. In this respect it is like the
landscape-view through a window, always seen in a new light, color, or
condition. The fireplace is a window into the most charming world I ever
had a glimpse of.
Yet direct heat is an agreeable sensation. I am not scientific enough
to despise it, and have no taste for a winter residence on Mount
Washington, where the thermometer cannot be kept comfortable even by
boiling. They say that they say in Boston that there is a satisfaction
in being well dressed which religion cannot give. There is certainly a
satisfaction in the direct radiance of a hickory fire which is not to be
found in the fieriest blasts of a furnace. The hot air of a furnace is
a sirocco; the heat of a wood-fire is only intense sunshine, like that
bottled in Lacrimae Christi. Besides this, the eye is delighted, the
sense of smell is regaled by the fragrant decomposition, and the ear is
pleased with the hissing, crackling, and singing,--a liberation of
so many out-door noises. Some people like the sound of bubbling in a
boiling pot, or the fizzing of a frying-spider. But there is nothing
gross in the animated crackling of sticks of wood blazing on the earth,
not even if chestnuts are roasting in the ashes. All the senses are
ministered to, and the imagination is left as free as the leaping
tongues of flame.
Public-domain text, read in full here on John Shaqi.
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