Shakespeare, William, 1564-1616 -- Authorship -- Baconian theory
Bacon had a three-fold motive for putting his cipher into every book of
merit that was published in his day. In the first place, it allowed him
to claim the authorship of the book. In the second, in Mrs. Gallup’s
own words, “it was the means of conveying to a future time the truth
which was being concealed from the world concerning himself--his right
to be King of England--secrets of State regarding Queen Elizabeth--his
mother--and other prominent characters of that day--the correction
of English history in important particulars, the exposure of the
wrongs that had been put upon him;” and, equally important, thirdly,
of publishing his version of the wrongs he had done to others, and
to Essex in particular. Concerning the amazing diversity of style
displayed in the many works, he says in his cipher: “I varied my stile
to suit men, since no two shew the same taste and like imagination....”
“When I have assum’d men’s names, th’ next step is to create for each
a stile naturall to the man that yet should let my owne bee seene,
as a thrid of warpe in my entire fabricke.” His explanation of the
diversity of merit that is displayed in the works of Robert Greene and
of Shakespeare, is not less interesting and instructive. “It shall bee
noted in truth that some (plays) greatly exceede their fellowes in
worth, and it is easily explained. Th’ theame varied, yet was alwayes
a subject well selected to convey the secret message. Also the plays
being given out as tho’gh written by the actor, to whom each had bin
consign’d, turne one’s genius suddainlie many times to suit th’ new
man.”
“In this actour that wee now emploie (the cipher appears in the 1611
quarto edition of _Hamlet_), is a wittie veyne different from any
formerly employ’d. [Bacon appears to have forgotten that he employed
the ‘masque’ of Shakespeare in the quarto editions of _Richard II._
(1598), _Midsummer Night’s Dream_, _Much Ado About Nothing_, _The
Merchant of Venice_ (1600), and of _King Lear_, _Henry V._ (1608), and
_Pericles_ (1609)]. In truth it suiteth well with a native spirrit,
humourous and grave by turnes in ourself. Therefore, when wee create
a part that hath him in minde, th’ play is correspondingly better
therefor.”
In the cipher story which is found by Mrs. Gallup in _Titus
Andronicus_, Bacon again recurs to the superior merit of the plays put
forth in Shakespeare’s name, and he extols the merits of Shakespeare as
an interpreter of these dramas:--
“We can win bayes, lawrell gyrlo’ds and renowne, and we can raise a
shining monumente which shale not suffer the hardly wonne, supremest,
crowning glory to fade. Nere shal the lofty and wide-reaching honor
that such workes as these bro’t us bee lost whilst there may even a
work bee found to afforde opportunity to actors--who may play those
powerful parts which are now soe greeted with great acclayme--to winne
such names and honours as Wil Shakespear, o’ The Glob’ so well did win,
acting our dramas.
Public-domain text, read in full here on John Shaqi.
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