The likeness of Shakspere in the Folio of 1623 has frequently been called “an abominable libel on humanity.” And yet its fidelity is certified by Ben Jonson in laudatory lines. Jonson was Bacon’s friend and enthusiastic admirer. If there was an original portrait of that wooden face it has never been found. If there was a better likeness of Shakspere in existence why was it not reproduced in that famous Folio? The same ugly engraving reappeared in all the later editions up tu 1685. The bust on the monument at Stratford was first noticed in 1623. It was not taken from life, and is unlike any picture of Shakspere. It presents him in the act of composition, and “the _vis comica_", says Boaden, “so broadens his countenance, that it is hardly a stretch of fancy to suppose him in the actual creation of Falstaff himself.” More likely, we should say, Falltaff was Shakspere—Fall-staff, Shake-spear. The most familiar pictures of Shakspere are very different from either of these, and generally far more intellectual and refined. They are pretended copies of what is called the Chandos portrait, but are not much like it. The Chandos picture was painted by an unknown artist, and has been altered by a later hand. It is said to have been owned by Sir William Davenant, who died in 1668; and he is said to have obtained it from an actor named Joseph Taylor, who died about 1653 at the age of 70. This we gather from Boaden’s “Portraits of Shakspere,” 1824. But now comes a further statement purporting to be written in Mr. Gunther’s Folio, by one Charles Lomax,, in 1781, as follows: “The only original picture now extant of Shakespeare was painted by Joseph Taylor, one of the actors,” &c. The rest of the pretended information agrees with what we find in Boaden’s book, which has a picture taken from the Chandos portrait quite different from those we generally see, and not much like the Droeshout engraving in the Shakspere Folio. Shakspere probably never had a portrait taken. [13] THE SONNETS OF SHAKSPERE WRITTEN BY FRANCIS BACON TO THE EARL OF ESSEX AND HIS BRIDE, A. D. 1590 “The mystery of the Sonnets will never be unfolded.” —Richard Grant White, 1865. “All is supposition; the mystery is insoluble.” —Dr. Charles Mackay, 1884. The mystery unfolded by W. H. Burr, July 31, 1883. The first published poem of Shakspere, so far as known, was “Venus and Adonis,” in 1593. It was dedicated to the Earl of Southampton, then about twenty years of age. Five or six editions were called for in nine years. The “Sonnets” did not appear till 1609. The latter poem has 154 stanzas of 14 lines each; the first 126 are addressed to a beautiful and ardently beloved youth; the remainder to the young man’s betrothed. As to the merits of the composition, the American Cyclopedia says: “These ‘Sonnets,’ though deformed with occasional conceits, far surpass all other poems of their kind in our own language, or perhaps any other.” The dedication is in these words: