Bacon is Shake-Speare: Together with a Reprint of Bacon's Promus of Formularies and EleganciesDurning-Lawrence, Edwin, Sir
History
Bacon is Shake-Speare: Together with a Reprint of Bacon's Promus of Formularies and Elegancies
Durning-Lawrence, Edwin, Sir
Shakespeare, William, 1564-1616 -- Authorship -- Baconian theory
To this statement by Mr. George Hookham I would add that we know W.
Shakspeare was christened 26th April 1564, that his Will which commences
"In the name of god Amen! I Willim Shackspeare, of Stratford upon Avon,
in the countie of warr gent in perfect health and memorie, god be
praysed," was dated 25th (January altered to) March 1616, and it was
proved 22nd June 1616, Shakspeare having died 23rd April 1616, four
weeks after the date of the Will.
We also know that a monument was erected to him in Stratford Church. And
because L. Digges, in his lines in the Shakespeare folio of 1623 says
"When Time dissolves thy Stratford Moniment,"[1] it is supposed that the
monument must have been put up before 1623. But we should remember that
as Mrs. Stopes (who is by no means a Baconian) pointed out in the
_Monthly Review_ of April 1904, the original monument was not like the
present monument which shews a man with a pen in his hand; but was the
very different monument which will be found depicted in Sir William
Dugdale's "Antiquities of Warwickshire," published in 1656. The bust
taken from this is shewn on Plate 5, Page 14, and the whole monument on
Plate 3, Page 8.
[Illustration: Plate V. The Stratford Bust, from Dugdale's Warwickshire.
Published 1656.]
The figure bears no resemblance to the usually accepted likeness of
Shakspeare. It hugs a sack of wool, or a pocket of hops to its belly and
does not hold a pen in its hand.
In Plate 6, Page 15, is shewn the bust from the monument as it exists
at the present time, with the great pen in the right hand and a
sheet of paper under the left hand. The whole monument is shewn on
Plate 4, Page 9.
[Illustration: Plate VI. The Stratford Bust as it appears at the
present time.]
The face seems copied from the mask of the so-called portrait in the
1623 folio, which is shewn in Plate 8.
[Illustration: Plate VIII. Full size Facsimile of part of the Title Page
of the 1623 Shakespeare folio]
It is desirable to look at that picture very carefully, because every
student ought to know that the portrait in the title-page of the first
folio edition of the plays published in 1623, which was drawn by Martin
Droeshout, is cunningly composed of two left arms and a mask. Martin
Droeshout, its designer, was, as Mr. Sidney Lee tells us, but 15 years
of age when Shakspeare died. He is not likely therefore ever to have
seen the actor of Stratford, yet this is the "Authentic," that is the
"Authorised" portrait of Shakspeare, although there _is_ no
question--there _can be_ no possible question--that in fact it is a
cunningly drawn cryptographic picture, shewing two left arms and a mask.
The back of the left arm which does duty for the right arm is shewn in
Plate 10, Page 26.
[Illustration: Plate X. The Back of the Left Arm, from Plate VIII]
Every tailor will admit that this is not and cannot be the front of
the right arm, but is, without possibility of doubt, the back of
the left arm.
Public-domain text, read in full here on John Shaqi.
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