Mr. Nijinsky as “Blue God”. (Gouache) XXXII The red Sultana XXXIII The pink Sultana. (Gouache) XXXIV The yellow Sultana. (Gouache) XXXV Stage decorations for the “Blue God” XXXVI Stage decorations for act 3rd of Verhaerens’s “Helen of Sparta”. (Gouache) XXXVII Stage decorations for the “Cleopatra” ballet XXXVIII Costume for Tcherepnine’s “Adoration” XXXIX Costume for Stravinsky’s “Bird of Fire” XL The “Boutique fantasque” ballet. The child with dolls XLI The “Butterflies” ballet. A valet in 1850 XLII A huntress. Decorative panel XLIII The “Boutique fantasque” ballet. A doll XLIV A page (“Aladin” ballet) XLV A page in Louis XIV’s style (“Aladin” ballet) XLVI The Empress Elisabeth Petrovna hunting. (Gouache) XLVII Delphi. (Gouache) XLVIII Galisson, Prince Charmant’s tutor. Louis XIV ballet (Pavlova tournée). Gouache XLXIX The Bird of Fire (another version). Gouache L The “Boutique fantasque” ballet. The Englishwoman LI The “Boutique fantasque” ballet. The Englishman LII Stage decorations for “Thamar” LIII “Sadko” LIV The “Boutique fantasque” ballet. “La poupée aux dentelles” LV Modern Costume (A “fantaisie”). Gouache LVI Portrait of Ida Rubinstein LVII A call (Poster for an exhibition at Vienna). Gouache LVIII A living model. Red chalk and chalk LIX The “Boutique fantasque” ballet. An Italian doll LX Portrait of the poet A. Bely. Crayon and pencil LXI A portrait LXII Portrait of the boy Z. Red chalk LXIII The “Women of good humour” ballet. Dorothea LXIV A peasant woman (Sketch by Potemkine). Gouache LXV A peasant woman (Sketch by Potemkine). Gouache LXVI Costume for “Le chantre et la dévote” LXVII Costume of peasant woman for Potemkine’s “Village” LXVIII [Illustration] Typographical errors corrected by the etext transcriber: certain amateurishsess=> certain amateurishness {pg 50} Offtimes he is mistaken=> Oftimes he is mistaken {pg 50} due do the fact=> due to the fact {pg 50} quite agressive=> quite aggressive {pg 50} when its was exhibited=> when it was exhibited {pg 109} uncompromising youth wo defie=> uncompromising youth who defie {pg 122}