Balaam and His Master, and Other Sketches and StoriesHarris, Joel Chandler
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Balaam and His Master, and Other Sketches and Stories
Harris, Joel Chandler
Short stories, American; United States -- Social life and customs -- 19th century -- Fiction
“Now I tell you what, boys,” said Uncle Billy, after a little pause; “I’d
jes like to know who is at the bottom of this Spurlock business. You all
may have took a notion that he’s a no-’count sorter chap—an’ he is kinder
puny; but what does the army want with a puny man?”
“It’s the law,” said Captain Moseley, simply, perceiving that his mission
was clearly understood. “He is old enough and strong enough to serve in
the army. The law calls for him, and he’ll have to go. The law wants him
now worse than ever.”
“Yes,” said private Chadwick, gazing into the glowing embers—“lots
worse’n ever.”
“What’s the matter along of him now?” inquired Mrs. Powers, knocking the
ashes from her pipe against the chimney jamb.
“He’s a deserter,” said Chadwick.
“Tooby shore!” exclaimed Mrs. Powers. “An’ what do they do wi’ ’em, then?”
For answer Private Chadwick passed his right hand rapidly around his
neck, caught hold of an imaginary rope, and looked upwards at the
rafters, rolling his eyes and distorting his features as though he were
strangling. It was a very effective pantomime. Uncle Billy shook his head
and groaned, Aunt Crissy lifted her hands in horror, and then both looked
at Polly. That young lady had risen from her chair and made a step toward
Chadwick. Her eyes were blazing.
“You’ll be hung long before Israel Spurlock!” she cried, her voice thick
with anger. Before another word had been said she swept from the room,
leaving Chadwick sitting there with his mouth wide open.
“Don’t let Polly pester you,” said Uncle Billy, smiling a little at
Chadwick’s discomfiture. “She thinks the world an’ all of Sister
Spurlock, an’ she’s been a-knowin’ Israel a mighty long time.”
“Yes,” said Aunt Crissy, with a sigh; “the poor child is hot-headed an’
high-tempered. I reckon we’ve sp’ilt ’er. ’T ain’t hard to spile a gal
when you hain’t got but one.”
Before Chadwick could make reply a shrill, querulous voice was heard
coming from the room into which Polly had gone. The girl had evidently
aroused some one who was more than anxious to engage in a war of words.
“Lord A’mighty massy! whar’s any peace?” the shrill voice exclaimed.
“What chance on the top side of the yeth is a poor sick creetur got? Oh,
what makes you come a-tromplin’ on the floor like a drove of wild hosses,
an’ a-shakin’ the clabberds on the roof? I know! I know!”—the voice here
almost rose to a shriek,—“it’s ’cause I’m sick an’ weak, an’ can’t he’p
myself. Lord! ef I but had strength!”
At this point Polly’s voice broke in, but what she said could only be
guessed by the noise in the next room.
“Well, what ef the house an’ yard was full of ’em? Who’s afeard? After
Spurlock? Who keers? Hain’t Spurlock got no friends on Sugar Mountain?
Ef they are after Spurlock, ain’t Spurlock got as good a right for to be
after them? Oh, go ’way! Gals hain’t got no sense. Go ’way! Go tell your
pappy to come here an’ he’p me in my cheer. Oh, go on!”
Public-domain text, read in full here on John Shaqi.
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