Balaam and His Master, and Other Sketches and Stories — John Shaqi
Balaam and His Master, and Other Sketches and StoriesHarris, Joel Chandler
General
Balaam and His Master, and Other Sketches and Stories
Harris, Joel Chandler
Short stories, American; United States -- Social life and customs -- 19th century -- Fiction
Uncle Billy carried the old man into the next room, tucked him away in
his bed, and then came back. Conversation lagged to such an extent that
Aunt Crissy once more felt moved to inquire about Polly. Uncle Billy
responded with a sweeping gesture of his right hand, which might mean
much or little. To the two Confederates it meant nothing, but to Aunt
Crissy it said that Polly had gone up the mountain in the rain and cold.
Involuntarily the woman shuddered and drew nearer the fire.
It was in fact a venturesome journey that Polly had undertaken. Hardened
as she was to the weather, familiar as she was with the footpaths that
led up and down and around the face of the mountain, her heart rose in
her mouth when she found herself fairly on the way to Israel Spurlock’s
house. The darkness was almost overwhelming in its intensity. As Uncle
Billy Powers remarked while showing the two Confederates to their beds
in the “shed-room,” there “was a solid chunk of it from one eend of
creation to t’ other.” The rain, falling steadily but not heavily, was
bitterly cold, and it was made more uncomfortable by the wind, which rose
and fell with a muffled roar, like the sigh of some Titanic spirit flying
hither and yonder in the wild recesses of the sky. Bold as she was, the
girl was appalled by the invisible contention that seemed to be going on
in the elements above her, and more than once she paused, ready to flee,
as best she could, back to the light and warmth she had left behind; but
the gesture of Chadwick, with its cruel significance, would recur to
her, and then, clenching her teeth, she would press blindly on. She was
carrying a message of life and freedom to Israel Spurlock.
With the rain dripping from her hair and her skirts, her face and hands
benumbed with cold, but with every nerve strung to the highest tension
and every faculty alert to meet whatever danger might present itself,
Polly struggled up the mountain path, feeling her way as best she could,
and pulling herself along by the aid of the friendly saplings and the
overhanging trees.
After a while—and it seemed a long while to Polly, contending with the
fierce forces of the night and beset by a thousand doubts and fears—she
could hear Spurlock’s dogs barking. What if the two soldiers, suspecting
her mission, had mounted their horses and outstripped her? She had no
time to remember the difficulties of the mountain road, nor did she know
that she had been on her journey not more than half an hour. She was
too excited either to reason or to calculate. Gathering her skirts in
her hands as she rose to the level of the clearing, Polly rushed across
it towards the little cabin, tore open the frail little gate, and flung
herself against the door with a force that shook the house.
Public-domain text, read in full here on John Shaqi.
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