Balaam and His Master, and Other Sketches and Stories — John Shaqi
Balaam and His Master, and Other Sketches and StoriesHarris, Joel Chandler
General
Balaam and His Master, and Other Sketches and Stories
Harris, Joel Chandler
Short stories, American; United States -- Social life and customs -- 19th century -- Fiction
“Do you do any work?”
“Yes, suh; I totes water, an’ I drives de cows ter de pastur’, an’ I
keeps off de calfs, an’ I runs de chickens out ’n de gyardin.”
The sprightly and intelligent appearance of the lad evidently made a
favorable impression on the master, for he beckoned to him and said:—
“Come in here; I want to show you something.”
The negro dropped his hat on the ground and followed Mr. Cozart, who led
the way to the darkened room where Berrien, the baby, was having his
first experience with existence. He lay on the nurse’s lap, with blinking
eyes and red and wrinkled face, trying to find his mouth with his fists.
The nurse, black as she was, was officious, and when she saw the negro
boy she exclaimed:—
“Balaam, w’at you doin’ in yere? Take yo’se’f right out! Dis ain’t no
place fer you.”
“Marster says so,” said Balaam, sententiously.
“Balaam,” said Mr. Cozart, “this baby will be your master. I want you to
look after him and take care of him.”
“Yes, suh,” said Balaam, regarding his new master with both interest
and curiosity. “He look like he older dan w’at he is.” With that Balaam
retreated to the negro quarters, where he had a strange tale to tell the
other children about the new white baby.
Berrien grew and thrived, and when he was a year old Balaam took charge
of him, and the two soon became devoted to each other. The negro would
take the child on his back and carry him from one end of the plantation
to the other, and Berrien was never happy unless Balaam was somewhere
in sight. Once, when it was found necessary to correct Balaam with a
switch for some boyish offense, his young master fell on the floor in a
convulsion of rage and grief. This manifestation made such an impression
on the family that no further attempt was ever made to punish Balaam; and
so the two grew up together—the young master with a temper of extreme
violence and an obstinacy that had no bounds, and the negro with an
independence and a fearlessness extremely rare among slaves.
It was observed by all, and was a cause of special wonder among the
negroes, that, in spite of Berrien Cozart’s violent temper, he never
turned his hand against Balaam, not even when he was too young to reason
about the matter. Sometimes, when he was seen throwing stones in a
peculiarly vicious way at a tree, or at the chickens, or at some of the
other children, the older negroes would laughingly shake their heads at
one another and say that the child was mad with Balaam.
These queer relations between master and slave grew stronger as the two
grew older. When Berrien was ten and Balaam twenty they were even more
inseparable than they had been when the negro was trudging about the
plantation with his young master on his back. At that time Balaam was not
allowed to sleep in the big house; but when Berrien was ten he had a room
to himself, and the negro slept on a pallet by the side of the bed.
Public-domain text, read in full here on John Shaqi.
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