Balaam and His Master, and Other Sketches and StoriesHarris, Joel Chandler
General
Balaam and His Master, and Other Sketches and Stories
Harris, Joel Chandler
Short stories, American; United States -- Social life and customs -- 19th century -- Fiction
Laughing good-naturedly, Balaam slipped out. After a little while Berrien
Cozart went down the stairway and into the room of his mother, who
was an invalid. He sat at her bedside and talked a few moments. Then
he straightened and smoothed her pillows, stroked her gray hair, gazed
into her gentle eyes, and kissed her twice. These things the poor lady
remembered long afterwards. Straying into the spacious parlor, the young
man looked around on the familiar furniture and the walls covered with
portraits. Prominent among these was the beautiful face of Sally Carter.
The red curtains in the windows, swaying to and fro in the wind, so
swiftly changed the light and shadow that the fair face in the heavy
gilt frame seemed to be charged with life. The lustrous eyes seemed to
dance and the saucy lips to smile. Berrien remembered his fair cousin
with pleasure. She had been his playmate when he was younger, and the
impression she made on him had been a lasting one. Beautiful as she was,
there was no nonsense about her. She was high-spirited and jolly, and
the young man smiled as he recalled some of their escapades together.
He raised his hand to salute the portrait, and at that moment a peal of
merry laughter greeted his ears. Turning, he saw framed in the doorway
the rosy original of the portrait. Before he could recover from his
astonishment the young lady had seized and kissed him. Then she held him
off at arm’s length and looked at him.
“Why, how handsome you have grown;” she cried. “Just think of it! I
expected to meet a regular border ruffian. My dear boy, you have no
idea what a tremendous reputation your friends have given you. Ann
Burney—you remember that funny little creature, don’t you? as fat as a
butterball—Ann told me the other day that you were positively the terror
of everybody around Athens. And now I find you here kissing your fingers
at my portrait on the wall. I declare, it is too romantic for anything!
After this I know you will never call me Sarah Jane.”
“You have taken me by surprise,” said Berrien, as soon as he could get in
a word. “I was admiring the skill of the artist. The lace there, falling
against the velvet bodice, is neatly done.”
“Ah, but you are blushing; you are confused!” exclaimed Miss Carter. “You
haven’t even told me you are glad to see me.”
“There is no need to tell you that,” said Berrien. “I was just thinking,
when you rushed in on me, how good and kind you always were. You are
maturer than the portrait there, but you are more beautiful.”
Miss Carter bent low with a mock courtesy, but the color in her face was
warmer as she exclaimed:—
“Oh, how nice you are! The portrait there is only sixteen, and I am
twenty-five. Just think of that! And just think of me at that age—what a
tomboy I was! But I must run and tell the rest of the folks howdy.”
Public-domain text, read in full here on John Shaqi.
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