Balaam and His Master, and Other Sketches and StoriesHarris, Joel Chandler
General
Balaam and His Master, and Other Sketches and Stories
Harris, Joel Chandler
Short stories, American; United States -- Social life and customs -- 19th century -- Fiction
“Why, what are you talking about?” said Judge Waynecroft, who had been
listening behind his newspaper. “This is their country too, and they have
gone to fight for it.”
“’Longside dat boy?” Mom Bi asked. Her voice rose as she pointed at
Gabriel’s picture.
“Why, certainly,” said the Judge.
“_Pishou!_” exclaimed Mom Bi, with a hiss that was the very essence of
scorn, contempt and unbelief. “Oona nee’n’ tell me dat ting. I nuttin’
but nigger fer true, but I know better dun dat. I bin nuss dat boy, un
I know um troo un troo. Dat boy, ’e cut ’e t’roat fus’ fo’ ’e fight
’longside dem trash. When ’e be en tell-a you ’e gwine fight ’longside
dem whut de Lord done fersooken dis long time?”
The Judge smiled, but Mrs. Waynecroft looked serious; Mom Bi rocked
backward and forward, as if nursing her withered arm.
“Whut dem po’ white trash gwine fight fer? Nuttin’ ’tall ain’t bin tell
me dat. Dee ain’t bin had no nigger; dee ain’t bin had no money; dee
ain’t bin had no lan’; dee ain’t bin had nuttin’ ’tall. Un den ’pun top
er dat, yer come folks fer tell me dat dat boy gwine fight ’longside dem
creeturs.”
Mom Bi laughed loudly, and shook her long finger at the portrait of young
Gabriel Waynecroft. As a work of art the portrait was a failure, having
been painted by an ambitious amateur; but, crude as it was, it showed a
face of wonderful refinement. The features were as delicate as those of
a woman, with the exception of the chin, which was full and firm. The
eyes, large and lustrous, gazed from the canvas with a suggestion of both
tenderness and fearlessness.
During the long and dreary days that followed—days of waiting, days
of suffering and of sorrow—there were many changes in the Waynecroft
household, but Mom Bi held her place. She remained as virile and as
active as ever. If any change was noticeable it was that her temper
was more uncertain and her voice shriller. All her talk was about the
war; and as the contest wore on, with no perceptible advantage to the
Confederates, she assumed the character and functions of a prophetess.
Among the negroes, especially those who had never come in familiar
contact with the whites, she was looked upon as a person to be feared and
respected. Naturally, they argued that any black who talked to the white
people as Mom Bi did must possess at least sufficient occult power to
escape punishment.
Sometimes, in the pleasant weather, while walking with her mistress and
the children on the battery at Charleston she would reach forth her hand
and exclaim:
“Oona see dem wharfs? Dee gwine be fill wid Yankee ships! Dee gwine sail
right stret up, un nuttin’ ’t all gwine stop um.”
Then, turning to the town, she would say:
Public-domain text, read in full here on John Shaqi.
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