Balaam and His Master, and Other Sketches and StoriesHarris, Joel Chandler
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Balaam and His Master, and Other Sketches and Stories
Harris, Joel Chandler
Short stories, American; United States -- Social life and customs -- 19th century -- Fiction
“I gwine down dey wey my daughter bin live at,” persisted Mom Bi. Then
she looked at the portrait of Gabriel Waynecroft. The beautiful boyish
face seemed to arouse her. Turning suddenly, she exclaimed:
“De Lord know I done bin fergive you-all fer sellin’ ’Ria ’way fum me.
De Lord know I is! Wun I bin see you set down un let dat chile go off
fer git kill’”—Mom Bi pointed her long and quivering finger at Gabriel’s
portrait—“wun I see dis, I say ‘hush up, nigger! don’t bodder ’bout
’Ria.’ De Lord know I done bin fergive you!”
With this Mom Bi turned to the door and passed out.
“Won’t you tell us good-by?” the Judge asked.
“I done bin fergive you,” said Mom Bi.
“I think you might tell us good-by,” said Mrs. Waynecroft, with tears in
her eyes and voice.
“I done bin fergive you,” was the answer.
This was in June. One morning months afterward Judge Waynecroft was
informed by a policeman that a crazy old negro woman had been arrested in
the cemetery.
“She is continually talking about Gabriel Waynecroft,” said the officer,
“and the Captain thought you might know something about her. She’s got
the temper of Old Harry,” he continued, “and old and crippled as she is,
she’s as strong as a bull yearling.”
It was Mom Bi, and she was carried to her old master’s home. Little
by little she told the story of her visit to Savannah. She found her
daughter and her family in a most deplorable condition. The children had
the small-pox, and finally Maria was seized with the disease. For lack of
food and proper attention they all died, and Mom Bi found herself alone
and friendless in a strange city. How she managed to make her way back
home it is impossible to say, but she returned.
The Mom Bi who returned, however, was not the same Mom Bi that went away.
Old age had overtaken her in Savannah. Her eyes were hollow, her face was
pinched and shrunken, the flesh on her bones had shriveled, and her limbs
shook as with the palsy. When she was helped into the house that had so
long been her home she looked around at the furniture and the walls.
Finally her eyes rested on the portrait of Gabriel Waynecroft. She smiled
a little and then said feebly:
“I done bin come back. I bin come back fer stay; but I free, dough!”
In a little while she was freer still. She had passed beyond the reach of
mortal care or pain; and, as in the old days, she went without bidding
her friends good-by.
THE OLD BASCOM PLACE.
I.
Public-domain text, read in full here on John Shaqi.
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