Balaam and His Master, and Other Sketches and StoriesHarris, Joel Chandler
General
Balaam and His Master, and Other Sketches and Stories
Harris, Joel Chandler
Short stories, American; United States -- Social life and customs -- 19th century -- Fiction
One Saturday afternoon in the spring of 1876, as Farmer Joe-Bob Grissom
was on his way to Hillsborough for the purpose of hearing the news
and having an evening’s chat with his town acquaintances,—as was his
invariable custom at the close of the week,—he saw, as he passed the old
Bascom Place, an old gentleman and a young lady walking slowly along the
road. The old gentleman was tall and thin, and had silvery white hair.
He wore a high-crowned, wide-brimmed felt hat, and his clothes, though
neat, were too glossy to be new. The young lady was just developing into
womanhood. She had a striking face and figure. Her eyes were large and
brilliantly black; her hair, escaping from under her straw hat with its
scarlet ribbons, fell in dusky masses to her waist.
The two walked slowly, and occasionally they paused while the old
gentleman pointed in various directions with his cane, as though
impressing on the mind of his companion the whereabouts of certain
interesting landmarks. They were followed at a little distance by a
negro, who carried across his arm a light wrap which seemed to be a part
of the outfit of the young lady.
As Farmer Joe-Bob Grissom passed the two, he bowed and tipped his hat by
way of salutation. The old gentleman raised his hat and bowed with great
courtliness, and the young lady nodded her head and smiled pleasantly at
him. Farmer Joe-Bob was old enough to be grizzly, but the smile stirred
him. It seemed to be a direct challenge to his memory. Where had he
seen the young lady before? Where had he met the old gentleman? He was
puzzled to such an extent that he paid no attention to the negro man, who
touched his hat and bowed politely as the farmer passed—a fact that made
the negro wonder a little; for day in and out he had known Mr. Joe-Bob
Grissom nearly forty years, and never before had that worthy citizen
failed to respond with a cordial “Howdy” when the negro took off his hat.
Farmer Joe-Bob Grissom walked on towards town, which was not far, and
the old gentleman and the young lady walked slowly along the hedge of
Cherokee roses that ran around the old Bascom Place, while the negro
followed at a respectful distance. Once they paused, and the old
gentleman rubbed his eyes with a hand that trembled a little.
“Why, darling!” he exclaimed in a tone of mingled grief and astonishment,
“they have cut it down.”
“Cut what down, father?”
“Why, the weeping-willow. Don’t you remember it, daughter? It stood in
the middle of the field yonder. It was a noble tree. Well, well, well!
What next, I wonder?”
“I do not remember it, father; I have so much to”—
“Yes, yes,” the old gentleman interrupted. “Of course you couldn’t
remember. The place has been so changed that I seem to have forgotten it
myself. It has been turned topsy-turvy; it has been ruined—ruined!”
He leaned on his cane, and with quivering lips and moist eyes looked
through the green perspective of the park, and over the fertile fields
and meadows.
Public-domain text, read in full here on John Shaqi.
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