New Orleans (La.) -- Fiction; Women -- Louisiana -- Fiction
There is always a more and a most obscure little miracle chapel, and
as faith seems ever to lead unhesitatingly to the latter one, there is
ever rising out of humility and obscurity, as in response to a demand,
some new shrine, to replace the wear and tear and loss of other
shrines by prosperity. For, alas! it is hard even for a chapel to
remain obscure and humble in the face of prosperity and popularity.
And how to prevent such popularity and prosperity? As soon as the
noise of a real miracle in it gets abroad, every one is for hurrying
thither at once with their needs and their prayers, their candles
and their picayunes; and the little miracle chapel, perhaps despite
itself, becomes with mushroom growth a church, and the church a
cathedral, from whose resplendent altars the cheap, humble ex-voto
tablets, the modest beginnings of its ecclesiastical fortunes, are
before long banished to dimly lighted lateral shrines.
The miracle chapel in question lay at the end of a very confusing but
still intelligible route. It is not in truth a chapel at all, but a
consecrated chamber in a very small, very lowly cottage, which stands,
or one might appropriately, if not with absolute novelty, say which
kneels, in the center of a large garden, a garden primeval in
rusticity and size, its limits being defined by no lesser boundaries
than the four intersecting streets outside, and its culture showing
only the careless, shiftless culture of nature. The streets outside
were miracles themselves in that, with their liquid contents, they
were streets and not bayous. However, they protected their island
chapel almost as well as a six-foot moat could have done. There was a
small paved space on the sidewalk that served to the pedestrian as an
indication of the spot in the tall, long, broad fence where a gate
might be sought. It was a small gate with a strong latch. It required
a strong hand to open it. At the sound of the click it made, the
little street ragamuffin, who stood near, peeping through the fence,
looked up. He had worked quite a hole between the boards with his
fingers. Such an anxious expression passed over his face that even
a casual passer-by could not help relieving it by a question--any
question:
"Is this the miracle chapel, little boy?"
"Yes, ma'am; yes." Then his expression changed to one of eagerness,
yet hardly less anxious.
"Here. Take this--"
He did not hold out his hand, the coin had to seek it. At its touch he
refused to take it.
"I ain't begging."
"What are you looking at so through the fence?" He was all sadness
now.
"Just looking."
"Is there anything to see inside?"
He did not answer. The interrogation was repeated.
"I can't see nothing. I'm blind," putting his eyes again to the hole,
first one, then the other.
"Come, won't you tell me how this came to be a miracle chapel?"
Public-domain text, read in full here on John Shaqi.
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