This is not a sensation, it is the plain truth, and we desire to call the attention of those who love and admire the Indian at a distance of 2,000 miles, and to the aesthetic love for the beautiful which prompts the crooked-fanged and dusky bride of old Fly-up-the-Creek to rob the soap-grease man and the glue factory, that she may make a Cheyenne holiday. As a matter of fact, common decency will not permit us to enter into a discussion of this matter. Firstly, it would not be fit for the high order of readers who are now paying their money for _The Boomerang_; and secondly, the Indian maiden at the present moment stands on a lofty crag of the Rocky mountains, beautiful in her wild simplicity, wearing the fringed garments of her tribe. To the sentimentalist she appears outlined against the glorious sky of the new west, wearing a coronet of eagle's feathers, and a health-corset trimmed with fantastic bead-work and wonderful and impossible designs in savage art. Shall we then rush in and with ruthless hand shatter this beautiful picture? Shall we portray her as she appears on her return from the great slaughter-house benefit and moral aggregation of digestive mementoes? Shall we draw a picture of her clothed in a horse-blanket, with a necklace of the false teeth of the pale face, and her coarse unkempt hair hanging over her smoky features and clinging to her warty, bony neck? No, no. Far be it from us to destroy the lovely vision of copper-colored grace and smoke-tanned beauty, which the freckled student of the effete east has erected in the rose-hued chambers of fancy. Let her dwell there as the plump-limbed princess of a brave people. Let her adorn the hat-rack of his imagination--proud, beautiful, grand, gloomy and peculiar--while as a matter of fact she is at that moment leaving the vestibule of the slaughter-house, conveying in the soiled lap-robe--which is her sole adornment--the mangled lungs of a Texas steer. No man shall ever say that we have busted the beautiful Cigar Sign Vision that he has erected in his memory. Let the graceful Indian queen that has lived on in his heart ever since he studied history and saw the graphic picture of the landing of Columbus, in which Columbus is just unsheathing his bread knife, and the stage Indians are fleeing to the tall brush; let her, we say, still live on. The ruthless hand that writes nothing but everlasting truth, and the stub pencil that yanks the cloak of the false and artificial from cold and perhaps unpalatable fact, null spare this little imaginary Indian maiden with a back-comb and gold garters. Let her withstand the onward march of centuries while the true Indian maiden eats the fricasseed locust of the plains and wears the cavalry pants of progress. We may be rough and thoughtless many times, but we cannot come forward and ruthlessly shatter the red goddess at whose shrine the far-away student of Black-hawk and other fourth-reader warriors, worship.