Then as she always rested before dinner, people would come to tea with
her in her bedroom. St. John didn't like it at all. There was to him
something inherently disreputable about the horizontal. If she were too
tired to sit up in an armchair, she was too tired to see any one--except
him, of course, who understood her (which was just what he didn't do).
"But my back does ache so easily. After all, if I were really ill you
wouldn't mind."
"That is different."
"How ill do I have to be before I can abdicate the perpendicular in the
presence of a young man?" He consoled himself with the thought that she
was extremely, exceptionally innocent. She told him that thousands of
people were extremely, exceptionally innocent. It was a fact which could
never be explained to juries. St. John doubted it. He believed in a vast
number of rules to which all of the people he liked and most of the
people he knew were exceptions.
The train drew up at the platform. Ariadne got out. The footman
explained to her that his Lordship was so very sorry not to be able to
come to the station, but he was attending a cattle show.
"Of course," said Ariadne, and she felt it.
She got into the brougham--it was so characteristic of St. John not to
use a motor in the country--which had that delightful, almost forgotten,
smell of broughams, and drove through an avenue of oaks up to the fine
old Georgian house, dignified and mellow and lived in--a house proud of
its cellar and its stables--of its linen and its silver--a house where
men were men and women were women--where the master hunted and sat on
the Bench, and the mistress embroidered and looked after the
household--each having his separate functions and the one joint one of
propagating the race.
In the hall, St. John's housekeeper, in a black taffetas apron,
welcomed her.
"His Lordship would be most distressed not to have been there when her
ladyship arrived, but the cattle show----"
"Of course," said Ariadne, and hinted at a quite special awareness of
the importance of Cattle Shows.
Her bedroom was immense--there were lavender bags in all the drawers,
and flowers on the dressing table, the fire was lit and there was
boiling water in the shiny pale brass can. Her maid, the housekeeper
explained, was sleeping in the dressing room. On the table by her bed
was a glass box of biscuits, "The Wrong Box," "Omar Khayyam" and Lucas
Malet's last novel.
Ariadne was smiling with happiness. Talk about the joys of the
unexpected, can they compare with the joys of the expected, of finding
everything delightfully and completely what you knew it was going to be?
There was a tap at the door.
"Come in."
"It's I." (St. John never said "It's me.")
She threw open the door.
"Do come in," she said, and then, with a little stab of extra pleasure,
she wondered if he would be shocked by her flimsy pink dressing gown and
her bare feet.
"St. John," she put out both her hands. "I _am_ happy to be here."
Public-domain text, read in full here on John Shaqi.
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